Uncharted – Film Review

Uncharted: New Movie Poster and Images Revealed - IGN

Director: Ruben Fleischer

Writers: Rafe Lee Judkins, Art Marcum, Matt Holloway

Starring: Tom Holland, Mark Wahlberg, Sophia Ali, Tati Gabrielle, and Antonio Banderas

Rating: ★★★½

It’s been well over a decade since the news of a film based on the PlayStation video game series, Uncharted, started making the rounds. Since then, it seemed like every couple of years it entered production before vanishing again. Different writers, actors, directors have all been associated with it, so now that the film is finally here it’s almost hard to believe it’s real. Just to make it clear how long it’s been, Mark Wahlberg was at one point going to be the central character, Nathan Drake, instead of his mentor Sully.

If you’re familiar with the games, then the film follows the same set up. It starts halfway through the story with Nathan Drake (Tom Holland) in an impossible to survive situation, this time free-falling from a plane without a parachute. The film then jumps back in time showing Nate and his brother, Sam, in the orphanage to set up the treasure that they’ll be hunting later in the film, similar to the opening of the game Uncharted 4. It then jumps again to Nate older meeting Sully (Mark Wahlberg) for the first time and setting off on the adventure.

It’s full-on action adventure there on out, with a heist at an auction, labyrinthian puzzles, as well as a massive set piece featuring a battle on two pirate ships hoisted in the air by helicopters. It’s a lot of set pieces and grand moments, that are full of fun that feels like the games they are based on. Apart from the opening in the orphanage it doesn’t really follow the same plots as any of the games, but instead is an origin story for Nate. Sully doesn’t even have his moustache yet.

The action is great, the visuals are stunning, and it’s definitely never boring. The fight sequences are tense and exciting, there’s some funny dialogue thrown in, and more than enough fun throughout. The only issue is the casting. Tom Holland is not Nathan Drake. As a big fan of the game series, it was jarring to see him in the role. He doesn’t look or sound like him, and definitely doesn’t come close to bringing the same charm that Nolan North did in the games. The fan-made film with Nathan Fillion a few years back feels a lot closer than this does, and it’s a shame that Fillion never got to play the character on the big screen. Tom Holland is a decent actor, and he’s very convincing during the action sequences, but he’s not as believable as Drake, even for an origin story.

Saying that, he does warm on you as the film continues, and by the time he adds the gun holsters to his costume to complete the iconic look of the character, he won me over, but that’s a decent way through the film. If you’re not familiar with the games already then, the casting probably won’t be an issue at all, Holland and Wahlberg are both good and they work well with each other. Instead it’s probably the riffing on Indiana Jones, right through to the red line on the map showing their globetrotting adventure, that’ll stand out more.

Uncharted is exactly what you want it to be. Loud and fun. It’s explosive, silly and something you can completely switch your mind off to watch. It’s probably not something that you’ll go back to like Indiana Jones but it’s still entertaining while it lasts and the set pieces look incredible.

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The Omen (2006) – Film Review

The Omen (2006) - IMDb

Director: John Moore

Writer: David Seltzer

Starring: Julia Stiles, Live Schreiber, Mia Farrow, David Thewlis, Pete Postlethwaite, Michael Gambon, Seamus Davey-Fitzpatrick

Rating: ★★

The remake of The Omen was released on the 6th June 2006, which was a date that was too tempting to miss. The original film is an all time classic, that still stands up today. The remake, on the other hand, is soulless and not really needed. It’s not a bad film, but it just doesn’t match up to the original in any way.

The story is identical, with lots of the scenes and dialogue playing out in exactly the same way. The biggest difference is that some of the deaths have been strangely altered and the finale feels a lot more rushed. If you haven’t seen the original in a while, watching this does feel like a shot for shot remake. That’s the film’s biggest issue. Why bother remaking something if you’re not going to do anything new with it? The sequels to the original proved that there were other stories you could tell with the same premise, and it could have gone off in other directions.

Changing the deaths is a strange choice. One of the most iconic moments of the original is altered into something that feels like it’s from a parody. It’s groan inducing as you see it coming and can’t believe that they changed it in such a stupid way. Likewise, when the nanny, played here by Mia Farrow, starts to defend Damian, it’s laughable. She screams constantly and her death is changed from being stabbed to being hit by a car and goes flying off screen. It completely undercuts the tension and is such a bad sequence it’s laughable.

If you’ve seen the original then you’ll spend a lot of the film thinking to yourself, ‘oh, this is when that’s going to happen, but it was better in the original one’. There’s an authenticity to the original, which has only gotten better with age, that makes it feel genuinely scary. The remake feels like a greatest hits tour, with the iconic moments being the main attraction.

That’s not to say it has no merit. The cast are all fabulous. Just looking at the cast list alone, you know there’s going to be some good performances. Julia Styles is great as Katherine Thorn, Live Schreiber does a surprisingly fantastic job as Robert Thorn, even when compared to Gregory Peck from the original. David Thewlis is captivating as the photographer Keith Jennings. The effects are more than decent, and probably the biggest improvement over the original.

If you’ve never seen the original, then the 2006 remake will probably sit better. It’s essentially the same, it’s just the original is a better made film. The remake just doesn’t recapture the same creepy charm and ultimately it feels pointless.

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The Book of Boba Fett – Season Review

The Book of Boba Fett (TV Series 2021– ) - IMDb

Overall The Book of Boba Fett was a great addition to Star Wars universe. At first it felt like it was going to be a slow-burn addition western that was more about Fett’s survival and changing character after the events of Return of the Jedi and the first episode set that up perfectly with the dual narrative of past and present.

Then the series changed with every episode, focusing on different points, with episode 2 being mostly a flashback and episode 3 featuring barely any flashbacks. It didn’t ever really settle down, with episode 4 going back and forth. Then episode 5 happened, which felt like The Mandalorian, rather than Fett. The central character was missing for two whole episodes, which is just bizarre.

It all came together in the end and it was a great season. The lowest point, for me at least, was how long episode 2 felt compared to the rest of the series. The best episode didn’t feature Fett at all. It’s a strange series, but hopefully we’ll get season 2 with Mace Windu as currently being teased.

Here’s links to my more detailed reviews for each episode:

Chapter One: Stranger in a Strange Land

Chapter Two: The Tribes of Tatooine

Chapter Three: The Streets of Mos Espa

Chapter Four: The Gathering Storm

Chapter Five: Return of The Mandalorian

Chapter Six: From the Desert Comes a Stranger

Chapter Seven: In the Name of Honor

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The Book of Boba Fett, Chapter 7: In the Name of Honor – Review

The Book of Boba Fett' Episode 7 Recap: In the Name of Honor

Director: Robert Rodriguez

Writer: Jon Favreau

Starring: Temuera Morrison, Ming-Na Wen, Pedro Pascal, Sophie Thatcher, Jordan Bolger, Corey Burton, Amy Sedaris, and Matt Berry

Rating: ★★★★

The Book of Boba Fett is over, at least for now. Thankfully everything in the series, including the previous two episodes where Fett (Temuera Morrison) barely appeared, all came together nicely in the end. At points the season felt like the continuation of The Mandalorian rather than its own thing, but the ending tied all the strands together and it goes out on a high.

Chapter 7 is essentially one long action scene. It’s the fight that Fett has been preparing for all season and it’s a thrilling conclusion. The Mandalorian (Pedro Pascal) and Boba Fett team up to take on Cad Bane (Jordan Bolger) and a hoard of mercenaries with very little support.

The entire episode is just great action from start to finish with no slow points. It’s pure Star Wars joy with the Rancor joining the fight, along with a load of characters that the series has picked up over the season. It looks great and feels like something that could easily be shown on the big screen instead of Disney Plus.

There are also a few brief moments that answer questions that were left hanging after chapter 6. Without spoilers, it does move the overall story onwards and builds up Season 3 of The Mandalorian, while also leaving it open for Fett to return in his on second season. Those moments are few and far between though, with everything focusing on the all-out war.

In the Name of Honor is one of the longest episodes of live action Star Wars TV so far, and it’s pretty much all action. It’s excellently shot, and it’s engaging all the way through, but it doesn’t have much time at the end to really wind down, there’s a post credits scene that hints at what’s to come, but it would have been nice to have a little longer with Fett and Fennec Shand after the dust had settled.  

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The Privilege (Das Privileg) – Film Review

Das Privileg (TV Movie 2022) - IMDb

Director: Felix Fuchssteiner and Katharina Schöde

Writer: Felix Fuchssteiner, Sebastian Niemann, and Katharina Schöde

Starring: Max Schimmelpfennig, Lise Risom Olsen, Roman Knizka, Tijan Marei, Lea Van Acken, Maurice Lattke

Rating: ★★★½

Netflix’s latest horror film, The Privilege, is a mix of Get Out and Invasion of the Body Snatchers. Finn (Max Schimmelpfennig) and Anna’s (Caroline Hartig) parents go out for a night out, leaving the children home alone. Finn finds his sister with blood around her mouth wielding a bloody knife. She quickly takes him, and they escape the house with a shadowy figure close behind. They abandon their car on a dam, with Anna climbing over the barrier and falling to her death, leaving Finn alone. Years later, Finn is at school living a normal life, but the death of his sister still haunts him.

The Privilege is a film that wastes no time getting going. The opening doesn’t miss a beat in setting up the situation and showing the creature chasing Finn and his sister. It grabs your attention fast and doesn’t let go throughout the opening scene. It doesn’t explain what’s going on, just lets you guess as the shadowy monster chases the children out of the house. It’s a great opening that creates a creepy tone that the rest of the film maintains.

Even when it starts to slow down a little, with the time jump and Finn attending school, there’s still something unsettling about it. Finn’s parents act in a strange way, and you know that everything is not quite what it seems. There are pills that Finn, his other sister who survives the opening, and a couple of friends from school are taking. It’s a prescribed drug, containing a fungus usually found on dead bodies, that is known to give you hallucinations. Whenever the monster starts to creep around it’s not clear if it’s real or a hallucination.

The best moments are when the film is hinting at what is really going on. A strange ritual that Finn sees one night before passing out, his sister falling during gym class and looking worse than death. There’s a great mystery at the centre of it that you want to uncover and find the truth. It’s something that will get you guessing, although you’ll probably figure it all out before the ending is revealed.

Sadly, for a horror film it’s just not that scary. It has a few unsettling moments and a good amount of tension at points, but there’s no genuine fear. It feels like it’s stuck between a teen horror and a full-on horror film. It’s not scary, but there are some gory and bloody moments. You really want it to go all out, when it doesn’t.

While it’s not the scariest film ever, The Privilege does have a great mystery and it’s never boring. It’s entertaining and keeps you guessing enough to make it worth watching.

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