The Beatles: Get Back – A Documentary Over Half a Century in the Making – Review

Director: Peter Jackson

Rating: ★★★★

It’s genuinely amazing that this hasn’t been released before. For over half a century there’s been around sixty hours of footage showing The Beatles write, bicker, and record the ‘Let It Be’ album that’s been hidden away, with only the ‘Let It Be’ film available (although hard to get hold of) for fans to watch. The original film showed a lot of in-fighting within the band and has been seen for many years as the beginning of the end for the legendary group. Peter Jackson, who compiled the new documentary series, wanted to show that it wasn’t as negative as people previously thought, that there was a lot of high points in the sessions. Even with the new eight-ish hour documentary, that’s been split into three parts, there is still over fifty hours of unseen footage. It’s a raw and honest look at the band as they try to do something new, while also returning to their roots.

It’s January 1969 and The Beatles are about to start working on their new album, which would eventually become ‘Let It Be’. The idea is that they write and practice a set of songs, and then perform them live in concert, which would be the first public performance in three years. After many delays, arguments and changed minds, the concert becomes the now iconic rooftop performance. Over three 2+ hour episodes, we get to see the sessions progress from the start to the rooftop performance.

Being around eight hours, this is truly for die-hard Beatles fans. It’s the closest you can get to actually being in the studio with The Beatles. It’s very strange and a rare treat to see the creation of such iconic songs. While waiting for John Lennon to arrive on morning, Paul McCartney plays around on his bass until he gets a rhythm that he likes, and you get to see that turn into ‘Get Back’. While conversations are happening in the foreground you can hear McCartney putting together the chord progression for ‘Let It Be’. These moments are pure gems that any Beatles fan will love to see.

There’s a great little moment, at the beginning of episode 3, where Ringo Starr shows George Harrison the beginning of the song he’s been working on, ‘Octopus’s Garden’. There’s something really special about being able to see the Fab Four create the now iconic songs that we take for granted. It’s also amazing how many songs they were working on that wouldn’t even be Beatles songs. McCartney shows a rough version of ‘Another Day’, Lennon shows the group a rough version of ‘Child of Nature’, which would become ‘Jealous Guy’ from the ‘Imagine’ album. The biggest highlight is the group working on Harrison’s ‘All Things Must Pass’, which would become the title track of his first proper solo album. There are also a few songs that wouldn’t be fully realised until their next album, ‘Abbey Road’ that appear throughout the documentary.

Paul McCartney, Ringo Starr, George Harrison, and John Lennon in THE BEATLES: GET BACK. Photo courtesy of Apple Corps Ltd.

Beyond the creation of now iconic songs, the documentary also shows a much more human and at times vulnerable side to the group. There are arguments, with Harrison leaving the band at one point, but there is also a brotherhood between them. You can see them playing off each other, and clearly enjoying what they do. There are also some really genuine moments of the group, where it’s clear they forgot they were being recorded. You can see that Lennon is troubled by the strains when he’s talking to someone. There are tears in McCartney’s eyes as he’s facing the end of the group that he’s known for half his life. It’s not just the bad though, there’s also moments of them laughing with each other, joking around as they work on the songs. Adlibbing silly lyrics, and reworking some of their older classics into parody. It’s essentially four friends, with all the ups and downs that come with it.  

Another highlight is McCartney defending Yoko Ono’s presence at the recordings, which will hopefully put the rumours that she caused the break-up to bed once and for all. It also shows George Harrison becoming a great songwriter in his own right and wanting to get out of the shadow cast by Lennon/McCartney. It’s also interesting how the rooftop performance came about. It wasn’t the original plan, as they were searching for a big finale for their documentary. The moment when the idea is brought to McCartney, who was desperate for something special, is a moment of pure joy. The instant happiness on his face is just brilliant.

Ringo Starr, Paul McCartney, John Lennon, and George Harrison in THE BEATLES: GET BACK. Photo courtesy of Apple Corps Ltd.

The only issue with the documentary really is its length. Each episode is well over two hours, and at points it does start to feel very tedious. There’s only so much of watching them rehearse the same few songs over and over before it starts to drain you. The second episode, which is close to three hours, in particular is very bloated. By having that length, it does really makes you feel like you go on the journey with them, and that is the purpose of the series. At times it feels like no progress is being made, even though you know the final results, then the third episode happens. Which is just two hours and twenty minutes of brilliance. It’s great moment after great moment all rushing towards the rooftop concert, which is shown in full with the police trying to stop it and the reaction of people on the street. The third episode is magic and makes the entire journey worth it, and when the credits start to roll, you want more.

Seeing the entire build up to the album and rooftop performance will change how you see them both forever. It will be impossible to listen to ‘Let It Be’ without imagining all of the work and struggle that went into making the album. In the same way that the rooftop performance now has an emotional weight to it that can never be removed. No matter how big of a Beatles fan you are, if you do sit down for the entire experience then you’ll have a deeper understanding and appreciation of their music.

The Beatles: Get Back is most likely the final significant addition to The Beatles canon. Even if there’s more footage that remains unseen, Jackson clearly hasn’t left anything of note on the cutting room floor. There are some truly remarkable moments, and at time’s it’s shockingly honest. It’s a great insight into how music is made and a truly brilliant reflection of who The Beatles were as people and musicians.  

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A Castle for Christmas – Low Stakes and Easy Watching – Film Review

A Castle for Christmas (2021) - IMDb

Director: Mary Lambert

Writers: Kim Bayer-Johnson, Ally Carter, Neal H. Dobrofsky, and Tippi Dobrofsky

Starring: Brooke Shields, Cary Elwes, Lee Ross, and Vanessa Grasse

Rating: ★★½

A Castle for Christmas is part of Netflix’s Christmas line up for this year. It’s light-hearted easy watching to put on while you’re wrapping presents or stuffed after dinner. Sophie (Brooke Shields) is a renowned novelist whose latest book hasn’t gone down well with her fans. Her divorce may have slipped into the narrative, as she kills off the leading man of the series. To get away from everything she travels to Scotland to see the castle that her family used to work at years ago. She immediately falls in love with the castle and nearby village, and decides to buy the castle, to save it from being demolished. By doing so she has to work with Duke Myles who lives in the castle and is very hesitant about letting it go.

The film is a romantic comedy with nothing unexpected. It moves very easily from start to finish with no real trouble or hesitation. Sophie and Myles fall in love and end up together, which is pretty much what you expect from the beginning. There’s very little resistance to their relationship, and because of that it makes it very easy watching. It’s something to switch your brain off to and just enjoy the comedy. It is funny in places and is entertaining enough.

The characters are likable enough. Myles at first is stand offish trying to stop Sophie from buying his family home, but he does really care about the community and he’s in so much debt, due to his father, that if he can’t raise the money the village will fall apart. He owns the entire land and has debts on everything that need to be cleared so the locals can carry on as they have been.

The village itself is very idyllic and lovely. The people who live there are always happy to help, not really seeming to work at any point. Sophie joins a local knitting group, who will bend over backward to help one another. They turn up at the castle, which is closer to a manor house, to decorate Sophie’s room.

Not a lot really happens in A Castle for Christmas, it’s still nice and enjoyable while it’s on, but there’s no real stand-out moments. It’s worth putting on if you’re looking for something to completely switch off. It’s funny and charming and not much else.

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House of Gucci – A Loud and Entertaining Biopic That’s Full of Excess – Film Review

House of Gucci (2021) - IMDb

Director: Ridley Scott

Writer: Becky Johnston and Roberto Bentivegna

Starring: Lady Gaga, Adam Driver, Jared Leto, Jeremy Irons, Salma Hayek, and Al Pacino

Rating: ★★★★

It’s taken around fifteen years for Ridley Scott to bring House of Gucci to the big screen. It’s gone through many directors, from Ridley Scott to his daughter, Jordan Scott, and even Wong Kar-wai, before Ridley got back in the director’s chair. The cast has equally changed and shifted throughout its long journey to release, even as recently as last year when Jeremy Irons replaced Robert De Niro just before production began. It may have taken a long time, but it is certainly worth the wait.

Maurizio Gucci (Adam Driver) is studying law, to set his own path in life away from the Gucci family. At a party he meets, Patrizia Reggiani (Lady Gaga), who is instantly smitten with his name. Patrizia sees Maurizio as a way into the Gucci dynasty, she romances him and they marry, against Maurizio’s father’s wishes. At first, they are outsiders to the family, until Aldo Gucci (Al Pacino) invites them to his birthday party. Once Patrizia has found a way into the Gucci family, she won’t stop at anything until she gets what she wants.

This is an epic crime story that covers around two decades of the Gucci family. It is a very long film, over two and a half hours, but it all feels needed. This is the kind of film that you can just get completely absorbed by. There probably are some scenes that don’t really add anything, but they’re all little pieces to the bigger puzzle. They build the people up more and give us a bigger understanding of who they might have been.

The performances are phenomenal. Adam Driver is excellent in everything he’s in. This is his second film with Ridley Scott this year, the other being the overlooked The Last Duel, and he’s a completely different person in Gucci. Every film he’s in, he’s completely different. Gucci may be his best role yet, it’s full of subtlety as the young Gucci tries to move out of his family’s shadow, and then his wife’s, as he tries to become his own person.

Lady Gaga deserves a second Oscar nomination for this film. Her performance is perfect. You completely forget that you’re watching Gaga. She perfectly manipulating, with an intimidating mix of sinister. The lengths she goes to get what she wants, and it feels like she’s not sure where she will stop herself on that journey. She changes as the film progresses and realises that she will never be a true Gucci, you can see how that frustrates her with little facial expressions. Lady Gaga is excellent.

Jared Leto is the outcast in the film. Much like how Paolo Gucci, who he plays, is shown as an outcast to the family. He’s over-the-top and exaggerated, and almost every time he’s on screen he gets a laugh. It’s a strange contrast from the serious drama of the rest of the film, but you warm to him as the film progresses. He just wants to create his own legacy, without much talent, and is naïve enough not to see that the others won’t let him. Paolo’s father, Aldo, is played by Al Pacino who’s a little more subtle but still a lot of fun when he’s on screen.

House of Gucci is full of excess, it’s incredibly long, with an over-the-top performance from Leto, and it’s about wealth, greed, and crime. It is tonally all over the place, but if it clicks with you, then you’re in for a really good time, with one hell of a great soundtrack. Regardless, Driver and Gaga are just as phenomenal as ever and will probably be getting well deserved nominations from all over the place.

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Rocky IV: Rocky Vs. Drago – A More Grounded Cut of the Goofy Classic – Film Review

Rocky IV: Rocky vs. Drago - Rotten Tomatoes

Director: Sylvester Stallone

Writer: Sylvester Stallone

Starring: Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers, Brigitte Nielsen, and Dolph Lundgren

Rating: ★★★★

Just over 35 years after the release of the original Rocky IV, Stallone has gone back to the editing room with more experience, wisdom, and confidence to present the film in the best way possible. He wasn’t entirely happy with the original cut, feeling it was too rushed and he was too worried about boring the audience. It’s finally been released, and it’s a lot more grounded than the original release.

Essentially, it’s still the same story. Drago (Dolph Lundgren) and his team want to challenge Rocky (Sylvester Stallone) to a fight, to introduce Drago to America. Instead of Rocky, Apollo (Carl Weathers) takes the challenge, ultimately losing and dying as a result to his injury. Rocky feels responsible and travels to Russia to take on Drago in the ring.

There’s no real difference in the story, other than it feels more real and personal. It’s longer than the original cut but feels a lot tighter and more focused. Gone is the silly and goofiness of the original, apart from some of Drago’s classic lines that remain. There’s no robot, and a lot of the over-the-top lifestyle that Rocky is living is cut down. Instead, we get a greater focus on why Apollo wants to fight Drago in the first place. There’s a lot added at the beginning that really shows Apollo’s mission to prove himself one last time and go down in the history books. It feels a lot closer tonally to the original Rocky than the theatrical version of IV. It still a high-octane montage filled rush, but with a more focus on character and dramatic plot beats that gets you more invested in the story.

Drago is also made more human in this, instead of just being the unbreakable machine. Apollo manages to hurt him, and there’s a few more lines of dialogue that Drago speaks that really humanises him towards the end. Don’t worry, it still has the classic moments like ‘if he dies, he dies’, that still feel just as goofy as they did the first time round. Some of the side characters are also almost completely removed, including Rocky’s son and Drago’s wife. Paulie is also reduced to just comic relief, playing no real part in the story.

By cutting the side characters and robot sub-plots, it gives more time to focus on the drama of the situation. Apollo’s funeral is longer, which is one of the more emotional moments. There’s more communication between Rocky and Adrian before he travels to Russia. There’s still time for the montages, which are slightly different and still the perfect workout motivation. Another big change is the opening. It’s a much longer re-telling of the third Rocky film, giving more focus on the relationship between Rocky and Apollo, to really drive home what they mean to each other.

The new release is a lot better than the original version. Rocky IV is incredibly over-the-top and unintentionally funny. Not everything can be fixed in the editing room over three decades later, but Stallone has done a great job with this one. On top of the film release, there’s also a feature length documentary on YouTube, which is essential viewing for any Stallone/Rocky fan. Stallone really goes into detail about how he’s changed over the years, what he thinks are the flaws in the film and how he would do things differently if he could go back.

It’s a really interesting insight into the filmmaking process and is really worth checking out. He goes into detail about how he wouldn’t kill Apollo if he rewrote it now, and how that would change the events of the film and sequels leading to a more interesting storyline. Both the film and documentary are a welcome addition to the Rocky franchise, that against all odds is still punching 45 years after Rocky was released.

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My Top Five Disney Animated Films

With the release of the 60th film from Walt Disney Animation Studios, Encanto, I thought it was a good idea to list my 5 favourite films from the legendary studio. As much as I loved Encanto, it’s too early to decide if it makes the top 5 or not. I’m only including the 60 animated films. I’ve seen almost all of them, except things like Fun and Fancy Free and Saludos Amigos, which I’ve just never gotten around to.

5 – Peter Pan

Peter Pan' Live-Action Movie in Works - Variety

If you asked me when I was a little kid, Peter Pan would have been my absolute favourite. I used to watch it a lot and always really enjoyed it. I’ve watched it more recently and I don’t think it’s as good as I remember, and a little problematic in modern times, but it gets number 5 on this list because it meant so much to me as a kid.

4 – Snow White and the Seven Dwarfs

The Man Behind Snow White And The Seven Dwarfs - The American Society of  Cinematographers

Where it all began. This film is almost 85 years old and the animation is still just beautiful and stunning. I think it looks better than some animated films that are made today. At the time it was really ambitious, and it really paid off. It’s beyond iconic and has truly stood the test of time. I watched this again last year when Disney Plus was first available in the UK and still really enjoyed it.

3 – Frozen 1 and 2

Watch Frozen | Full Movie | Disney+

I can never make up my mind to which Frozen film I like more, they are both so great for completely different reasons. I think the songs are the best from any Disney films. The animation, especially in the second one, is just stunning. There was a moment in the cinema for number 2 that I stopped paying attention to the story because I was so focused on every slight detail on screen. I love everything about both films.

2 – Lilo and Stitch

Lilo & Stitch (2002) - IMDb

Just a great funny film filled with Elvis music. Stitch is my favourite Disney character, and I love the entire film. It’s a joyous film about family and it is incredibly funny. There are so many memorable and classic moments. I’ve not seen it in a long time, but I feel like watching it again soon.

1 – Emperor’s New Groove

Watch The Emperor's New Groove | Full Movie | Disney+

Just pure brilliance from start to finish. It’s so funny, every character is just perfect. There isn’t a moment that’s not perfect. I’ve seen this film so many times, I can’t even begin to count and certain lines and moments have stayed in my mind constantly. Kronk having his own theme tune as he’s trying to ditch Kuzco’s body is one of the funniest moments in Disney history. It’s always breaking the 4th wall and it’s just a brilliant time from start to finish.

So those are my top 5. There are obviously a lot of other Disney films that I truly love, 101 Dalmatians, Aladdin, Beauty and the Beast, The Jungle Book, Tarzan, Tangled and The Lady and the Tramp are all very close to my top 5. What’s your favourite Disney animated film?

Thanks for reading and until next time,

Ashley

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