The Woman King – Film Review

Director: Gina Prince-Bythewood

Writer: Dana Stevens

Starring: Viola Davis, Thuso Mbedu, Lashana Lynch, Sheila Atim, and John Boyega

Rating: ★★★

The Woman King is a historical epic, written by Dana Stevens and directed by Gina Prince-Bythewood. While rooted in history, it’s a full-on action-filled story, that’s completely different to most big budget blockbusters that are being released currently. Instead of relying on CGI for the grand battles, there’s realistic and authentic combat fights. All of the action scenes are thrilling to watch and incredibly well shot. Within the chaotic battles it’s still easy to follow what’s going on, with some exciting stunts and fighting. The scale of the fights is immense and feels authentic. It’s brutal and frenzied and is full of spectacle.

Even with the grand scale of the kingdom and everything that’s going on around it, the story is very focused, mainly revolving around General Nanisca, played by Viola Davis, and Nawi, played by Thuso Mbedu. Nanisca is a seasoned warrior, who is helping shape the kingdom, while Nawi is in training, rebelling against orders and not wanting to stick to tradition. Both characters are really well written, and brought to life by incredible performances. Viola Davis is beyond excellent in this film, as is Thuso Mbedu. There are a lot of characters in the film, but there’s not a lot of depth to most of them, with the spectacle of the battles being the focus. More frustrating is the film’s length, which does start to drag at points.

While the film has a historical setting, it’s worth noting that it’s not very accurate to history. Most of the characters are either completely fictional or the amalgamation of several people. There’s a lot of dramatic licence used and it does make the film a little messy. It does show a conflict within the kingdom about their involvement in the slave trade, with General Nanisca being completely against selling slaves and wanting to find profit trading palm oil, but it doesn’t really dive into the history in a meaningful way beyond acknowledging that it’s where the kingdom made its wealth and it’s a dark cycle that needs to be broken. There’s some good scenes about this, but they’re not the driving force of the story. It’s not trying to be a documentary, and while that may put some people off, if anything it should spark people to go and read more about it.

Despite not being that accurate to history, The Woman King is an epic action film, with some excellent and grounded fight choreography that’s incredibly refreshing in the world of CGI blockbusters that we live in.

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Demons – Film Review

Director: Lamberto Bava

Writers: Dario Argento, Lamberto Bava, Dardano Sacchetti, and Franco Ferrini

Starring: Urbano Barberini and Natasha Hovey

Rating: ★★½

The 1985 film Demons was directed and co-written by Lamberto Bava, and was produced by Dario Argento, who also had input on the script. It’s about a group of random people who are given complementary tickets to a film, without any information given on what the film’s about. While they’re in the cinema, reality starts to mimic the horror on screen and demons, that essentially resemble zombies, start to cause havoc in the real world. 

It doesn’t take long for things to kick off, the group all quickly make their way to the cinema, without any reason to suspect what’s about to happen. The film starts on screen, and slowly chaos breaks out in the auditorium. It’s manic, with people running in every direction, and you’re never quite sure where everyone is, adding to the tension. Everything happens so fast, and you’re hooked completely. The over-the-top story makes for a great time, and you know you shouldn’t take it seriously. It’s not something to take seriously, but to switch off and just enjoy.   

The effects are really well done, with some impressive prosthetics as people are being torn apart, eyes being gouged out, and spots bursting. They’re all great, and while the effects have dated, they definitely still have the ability to make you feel sick. There’s also a lack of jump scares, with only a couple here and there, instead the fear relies heavily on the extreme gore. They go absolutely all out and don’t hold anything back.

All of the film is set to a repetitive, but ear-wormy, score from Argento’s regular collaborator Claudio Simonetti. It’s not his best score, but it does a decent job, and feels like a product from the 80s. The score is intertwined with music from 80s rock artists like Billy Idol and Motley Crüe, making for a great soundtrack all round.

While the beginning of the film is an absolute blast, with its ridiculous premise and gory effects, around halfway through the film does slow down. It becomes really noticeable that the characters have no depth, and you don’t really care about them, and because of that the film wears a little thin. Originally this was conceived as part of an anthology film and would have probably been better like that. Even though it’s not even ninety minutes long, it drags along quite a bit at the end, even though the final moments are pretty great.

For the most part Demons is a fun watch. It does lose steam as it goes on and the characters are hollow, but the great effects, infectious score and cheesy acting makes it entertaining.

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Fairy Tale by Stephen King – Book Review

Fairy Tale is the latest novel from Stephen King, one of my favourite writers ever. The book is a dark fantasy that at times reads like a YA story, where the main character holds the fate of the world in his hands. It’s a fairly straight forward story, once it gets going, that borrows elements from fairy tales that we know from childhood, while mixing in some of the darkness that you’d expect from King.

Charlie Reade is the main character, with the book written in the first person with Charlie telling the story several years after the fact. He’s a teenager who’s life is filled with tragedy, his mother died in a car accident, and his dad has never gotten over it and spent a good few years drinking too much. Charlie prays to God that his dad stops drinking, promising to do something in return. That promise is fulfilled when Charlie is on his way home from school and hears a dog barking in a neighbours garden. The dog’s owner, the elderly Mr Bowditch has fallen and broken his leg. Charlie phones for an ambulance, but doesn’t stop there, caring for Mr Bowditch during his recovery.

This is the best part of the story, as Mr Bowditch and Charlie get to know each other and theirs a real connection between them. It’s almost a really poignant story about age, friendship, and loss. Like most of King’s novels the opening is a real slow-burn, but I loved every page of it. The whole book is almost 600 pages long, with the opening lasting around 150 pages, and I devoured that part of the book. Charlie and Mr Bowditch are both incredibly well written characters, and both feel real. I was fully invested in their lives and would have loved for the story to continue like that. But it doesn’t.

Mr Bowditch has a secret. While he’s in the hospital, Charlie hears noises from the shed in the garden, and then there’s the unexplained bucket of gold pellets in a safe in Mr Bowditch’s bedroom. After Mr Bowditch dies of a heart attack, he leaves everything to Charlie, including his dog, Radar, and the answers to all of Charlie’s questions about the house. Inside the shed is a well that leads to another world, one that resembles something from a fairy tale, and inside that world is danger and magic. A kingdom that is under the tyrannical rule of a monster, but it also contains a large sundial that can be spun around, making anyone sitting on it younger or older.

Charlie is attached to Radar, the dog, and doesn’t want to lose him like he’s lost Mr Bowditch and his mother. In a desperate attempt to keep Radar alive he goes into the magical world to put Radar on the sundial and in the process ends up in the middle of the fantasy world’s troubles. While I do like fantasy stories, I did struggle with this one once that element was introduced. I was loving the story up to that point. It’s a powerful start to the book, then he goes into the fantasy world and the tone changes completely.

Charlie spends a hell of a lot of time walking, which brings the pace to an almost stand still. It’s all important as the world and story is being introduced, but I struggled with it. Even with the book being quite long, it didn’t feel like the world was truly fleshed out. It also reminded me of a YA fantasy that I would have read while in school, with Charlie as the unexpected hero who travels to a new world and becomes the prince of their prophecies. It felt like a completely different story to the one I started, and was absolutely loving. I was still enjoying it, but not to the same level.

Alongside fairy tales, the story borrows a few elements from Ray Bradbury’s Something Wicked This Way Comes, which King fully admits in the story itself, with Charlie reading Bradbury’s novel at one point. There’s a really interesting idea that other writers like Bradbury may have travelled into the other world and found inspiration there, but it’s never explored. If you are going to read a book that has a major plot device being a rotating device that can make you younger or older, then read Something Wicked, it’s a lot better than Fairy Tale, and only a third of the length. I do think the first act of Fairy Tale is something special.

I did enjoy Fairy Tale, but I think the first hundred and fifty pages belong in a different, and infinitely better book. The story of a teenager befriending a old and dying man, feeling that he owes it to God to look after him, is one of the best things King has written. I feel that there’s a really good thriller or horror, there with the mystery in the shed, or maybe even just a more straight forward story reflecting on growing old and lost youth. Instead once the fantasy part of the story got going, I felt disappointed and that it dragged on a bit too much.

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Life is Beautiful (La vita è bella) – Film Review

Director: Roberto Benigni

Writers: Roberto Benigni and Vincenzo Cerami

Starring: Roberto Benigni and Nicoletta Braschi

Rating: ★★★★½

La vita è bella, or Life is Beautiful, is directed, co-written by, and starring Roberto Benigni. The story was inspired by Rubino Romeo Salmonì’s book In the End, I Beat Hitler, as well as Benigni’s own father. It’s a black comedy that takes a unique approach to the Holocaust, by masking it underneath an imaginary game. Benigni’s father spent two years in a Nazi labour camp and when he would tell his children about his experiences, he would hide the darkness with humour, which is mirrored in the telling of the film. While the subject matter is incredibly bleak, there is still a sense of humour to it that makes it feel that much more tragic.

Benigni stars as Guido, a young man who moves to the city Arezzo, in order to open a bookshop. He has a few chance encounters with Dora (Nicoletta Braschi), and the couple fall in love throughout these meetings. Five years later, they’re married and have a child while the country is occupied by Nazis. Guido, Dora, and their son, Joshua, are taken to a concentration camp. Guido will do anything to stop Joshua from realising what’s going on and creates a fantasy where the camp is a game, with a winner and prize, and they’re out to win.

This is a film in two halves, split by a time jump. The story starts in 1939, with Guido trying to win over his princess, Dora. Guido is a sweet, kind hearted man who will stop at nothing to get a laugh from Dora. The first half is a genuinely funny and and silly romantic comedy. Then the story jumps forward five years and the war is taking hold of Italy. The difference between the two halves is palpable, but the light-hearted tone and black comedy is kept throughout, with some bittersweet moments right until up until the end. The silly antics of Guido does becomes less funny as the story goes on, and instead it’s heart-breaking to watch as he tries to shield his son from what they’re going through.

That’s not to say there’s not hints that the horrors are coming in the first half, with discussions about the savings made if all the disabled people were killed, the anti-Semitic insults that the characters endure, and where Guido impersonates a school visitor who is there to teach about the ‘superior’ aryan race. You can sense the growing unease even before the time skip, when everything really manifests. With how silly everything seems at the beginning; it really makes the horrors hit that much harder when it starts, and it leaves an impression when the credits start to roll.

Life is Beautiful is one of those films that will stay with you long after the credits roll. It’s a strong reminder about one of the worst tragedies of recent history, while at the same time a testament to human strength and family. The way the Holocaust is portrayed, with so much left unsaid, is poignant and genuinely scary. For the most part it does feel like you’re experiencing it through the eyes of a child, as Joshua goes along with the game out of fear of missing out on the prize, but at the same time suspects his father isn’t being completely truthful about everything.

Roberto Benigni masterfully creates and weaves the story together, balancing perfectly the drama and comedy to make something that’s both hard hitting and fun to watch. He’s also incredibly good as Guido, making him an utterly charming and endearing character. At first he’s a lovable buffoon, out to win the heart of his precious Dora, and later he’s a strong willed father and Benigni is great at both.

This isn’t a story about the horrors of the Holocaust, but instead it’s about the lengths a father would go to protect his son from the world around him. It’s a heart-breaking tale about family and survival. What starts off as a light-hearted and silly rom-com turns into a tragic and powerful film. It’s an emotional journey from start to finish and one that won’t leave a dry eye in the house. 

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Do Revenge – Film Review

Director: Jennifer Kaytin Robinson

Writers: Jennifer Kaytin Robinson and Celeste Ballard

Starring: Camila Mendes, Maya Hawke, Rish Shah, Austin Abrams, Sophie Turner, and Sarah Michelle Gellar

Rating: ★★★½ 

Do Revenge is an enjoyable new take on the premise from Hitchcock’s Strangers on a Train. Camila Mendes stars as Drea Torres, who goes to an elite high school and has her life ruined when a nude video of her circulates the school. Suspecting that her boyfriend, Max (Austin Abrams) is the one who leaked it, Drea teams up with her new friend Eleanor (Maya Hawke) to get revenge. In return Drea will help Eleanor to get revenge herself on another student who spread a nasty rumour about her years before.

For the most part you kind of know where things are going. Drea and Eleanor both set forth to get revenge for each other, making friends with the other’s enemies in order to do so. Along the way they learn about themselves, as well as the people they are plotting against. Things around them start to get messy, with people not reacting the way they thought they would, but they adapt.   

The characters are all bad people, completely self-obsessed with what they want and not caring about others. They don’t even notice how their actions are affecting others. Even Eleanor, who seems like the nicest of the bunch, doesn’t seem to really care about who she’s hurting as long as she gets revenge. Despite this, they’re still likable characters, even though for the most part you don’t really know who to root for.

Just when you think you have this film figured out, and have settled in for the ride, it rolls out one hell of a twist. There’s almost no warning when it happens, but it makes complete sense once it’s revealed. The clues are there, but it’s really well done. It’s one of those twists that jolts the film and gives it a new life, and it arrives just in time, as the film starts to feel like it’s going on a little too long. Up until that point it’s all enjoyable, but it’s nothing special.

This is something that would fit in really well in that late 90s early 2000s era of high school films. It’s a mix of all of those classic films, from Cruel Intentions to 10 Things I Hate About You. It’s a nice throwback kind of film.  It’s also really fitting that Sarah Michelle Gellar is the headmaster at the school where it’s set.

Overall, this film is a nice surprise. It has a killer twist, a great cast, and a fair few laughs. It’s not re-inventing the wheel, but it’s a really solid film and worth checking out if you have a Netflix subscription and some free time.

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