TV I’ve Been Watching

I’ve ben watching a fair amount of TV over the last few weeks, although I’m behind on pretty much everything. There’s been a lot of great series. I don’t watch as much TV as I used to, but there’s a few shows that caught my eye so I had to give them a go.

House of the Dragon

As I know most people were, I was disappointed with the ending of Game of Thrones. I wasn’t as excited as House of the Dragon as I would have been if the ending wasn’t so poor, but I still had to give it a go. After about ten minutes of the first episode my hesitation was gone and I was completely hooked. I think it’s brilliant, and one of the best shows I’ve ever seen. The first season is a lot better than the first season of Game of Thrones, and didn’t let up at all. I can’t wait for season two.

The Rings of Power

I was very excited about The Rings of Power and I really loved the first two episodes, but at the same time since then I’ve found it very slow. I’ve only seen 6 episodes so far, and will eventually get round to watching more. After each episode I have a completely different reaction, either I love it or hate it. I’m hoping the rest of the series picks up a bit.

Andor

I love everything Star Wars, and it’s the one franchise that I can overlook every flaw and just enjoy it. That said, I have struggled a bit with Andor. I loved the first three episodes, and wrote a very glowing review for them when they first aired. Since then, I’ve only watched episode 4 and 5, and just kind of forgot that the show was even on until I started thinking about writing this post, which I guess means I wasn’t enjoying it that much. Episodes 4 and 5 were very slow and didn’t get me hooked in the way the first 3 did. I will get back to it, and probably wonder why I wasn’t up to date sooner. I think it’s something that would be better to binge watch.

What We Do in the Shadows – Season 4

Finally, the fourth season of What We Do in the Shadows has arrived in the UK, well the first two episodes have. I love this show so much. It’s incredibly funny and there hasn’t been a dull episode yet. After the brilliant season 3, I couldn’t wait for this to come back and then it just arrived on Disney Plus this week and I watched the first two episodes straight away. It hasn’t disappointed and I’m excited for the rest of the season.

Thanks for reading,

Ashley

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Lost Highway – Criterion Edition Review

Director: David Lynch

Writers: David Lynch and Barry Gifford

Starring: Bill Pullman, Patricia Arquette, Balthazar Getty, Robert Blake, Natasha Gregson Wagner, Richard Pryor, Gary Busey, and Robert Loggia

David Lynch’s 1997 Lost Highway has received the Criterion treatment in the UK, with a new 4K restoration, special features and a booklet containing an extract from the book Lynch on Lynch. For Lynch die-hard fans it’s a must have, as the latest of his films to get a special re-release (although Blue Velvet still hasn’t had a UK release from Criterion like it has in America). The restoration is brilliant, and the extras are well worth watching. If you’ve seen the film before, and are still seeking answers to what’s actually going on, then there’s not much here that’s going to help.

When Lost Highway first came out reaction was pretty mixed. It received a lot of criticism for being indecipherable, overly violent and sexual. While at the same time others praised it for being a return to form and something more in line with Lynch’s first film Eraserhead. Like Lynch’s film before this one, Fire Walk With Me, time has been very kind to Lost Highway. It now has a cult following, and some rank it as one of his best films, seeing it as a stepping stone towards Mulholland Drive.

The film itself is one of Lynch’s least accessible stories. It starts out simple enough, with a couple, Fred (Bill Pullman) and Renee (Patricia Arquette), who are in a dark period in their relationship, receiving a video showing the outside of their house, that they dismiss. They then receive another showing them sleeping. The first act sets up a great thriller, and then the story takes a left turn when Fred murders Renee and is given the death sentence. Things get stranger still when Fred, while in prison, transforms into Pete (Balthazar Getty) and is released, only for his life to get dangerous. It’s a weird and strange story that doesn’t make much sense when taken at face value.

Like a lot of Lynch’s work, it’s something that really does let you make your own mind up as what’s going on, and there’s so many ways to interpret it. If you’ve never seen it, and are interested, you should watch it yourself. Make your own mind up about what’s going on. The extras on the criterion release, which include some good archival interviews, will enlighten the path, but it doesn’t hold your hand to explaining what you’ve watched. There isn’t featurette explaining everything like there was on last year’s re-release of Mulholland Drive.

It’s a dense dreamlike story, filled with bizarre moments, a time loop, and very little answers. At its heart it’s a story about memory and identity, but there’s so many layers packed on top of it. It’s frustrating to watch, as when you think you’ve cracked it, you’ll find a flaw in your ideas. It’s a bit of everything, what starts as a what seems like a straightforward thriller filled with paranoia, ends with you scratching your head questioning what you’ve just watched. It’ll have you thinking long after the films over. The line between reality and fantasy is blurred completely, and there’s a lot to uncover throughout the film.

Lost Highway is more of an experience, than it is a self-contained mystery. At points it’s more style over substance, but it’s very well made. The music is fantastic, featuring a score from Angelo Badalamenti and songs from Nine Inch Nails, David Bowie, The Smashing Pumpkins, and Lou Reed. It’s visual captivating, and the new restoration looks great. The extras are well worth watching/reading, but don’t expect to come away with a concrete answer to anything.

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November 2022

For this November I’ve decided to take part in NaNoWriMo (National Novel Writing Month) for the first time. For those that don’t know, the idea is to write 50,000 words during November, averaging at approximately 1667 words a day for the entire month. I’ve had an idea in my head for an opening scene since I was in school, but just never knew where the story would go from there. That is until this year, when I was in London and overheard two people talking behind me before the screening for White Noise. They were being very loud, as if they wanted everyone to hear about their lives and a few phrases that they said leapt out at me, so I stored them away in my mind, and on the train ride home I started slotting them together with the scene that I’d had in my head and they fit. It may have taken over a decade, but that scene is now written down. I started writing this morning, a little after 8am and wrote 2061 words in about an hour and twenty minutes.

For most of October I’ve been working on the story in my head, plotting it out, and I have almost all of it in my head ready to go. I just need to flesh out the middle a little, but I’m hoping that will come naturally with writing. I have the beginning, and ending down and just need to write them out. I’m hopeful that I’ll stay on course throughout November and even if it’s not finished, still start December with 50,000 words done. I know not every day will be as easy as today, as I’ve had that idea floating around for such a long time.

I’m also hoping to read a fair few books in November. I did read quite a few in October, and have been really enjoying reading recently. I’ve got Americana by Don DeLillo to read, as well as finishing Glory by NoViolet Bulawayo. I’ll also be watching films and reviewing them, as usual. I should have an review for the new Criterion release of David Lynch’s Lost Highway tomorrow, and hoping to see Black Adam this week. Watcher is also out on Friday, which looks insanely good.

I hope everyone has a great November. Let me know what your plans are for the month in the comments.

Thanks for reading,

Ashley

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Trick ‘r Treat – Film Review

Director: Michael Dougherty

Writer: Michael Dougherty

Starring: Dylan Baker, Rochelle Aytes, Anna Paquin, and Brian Cox

Rating: ★★★★

Trick ‘r Treat was written and directed by Michael Dougherty. It was originally shown at film festivals in 2007 before getting a wider release in 2009 as a direct-to-DVD release. It wasn’t until this year (2022) that the film received a theatrical release, after gaining a cult following in the years since its original release along with very high praise from critics.

The film is an anthology of short, interconnected horror stories, all set on Halloween in the same town. The stories play out simultaneously, with characters from each appearing in other stories. Each thread features a different type of threat, whether it’s just a straight up murderer or something more supernatural. Also appearing in all of the stories is a child in a scarecrow costume, known only as Sam (Quinn Lord).

None of the stories are particularly scary, but they’re very entertaining. It’s more funny than full-on scares, but at the same time it doesn’t hold back. There’s a lot of horrific moments, and some gross-out scenes. Early on there’s a puking scene that’s honestly stomach-churning. It’s the only bit of the film that’s like that, thankfully. It’s entertaining to see which type of horror the stories are going to show as they’re opening up.  

There’s a real quick pace to everything, with the film being around eighty minutes, and the stories progressing at the same time. Unlike other anthology films, where they’re told in sequence, this one never lets up, building each story at the same time so there’s no slowdown points where you have to settle in to watch the next story. The performances are also pretty great, especially from Anna Paquin and Brian Cox.

Michael Dougherty places a lot of nods towards John Carpenter’s Halloween throughout the film. Not only is Anna Paquin’s character named Laurie, but the opening scene would fit perfectly in the Halloween series. The street looks like one from Haddonfield, the music is reminiscent of Carpenter’s score, there’s some first person perspective from the killer at the beginning as well. There’s even a man in a mask across the street, staring at the soon to be victim, although in a twist he’s not the killer. The references are really well done and the opening scene is a good argument that Michael Dougherty could make a great Halloween film. After Trick ‘r Treat he did go on to create Krampus in 2015, which is one of the best Christmas horror films. There’s been mention of a sequel to Trick ‘r Treat and that will be pretty good to see.

While it’s not scary, Trick ‘r Treat is still a very good time and there’s a lot to love. It’s charming, funny, and entertaining. The perfect film for a Halloween film marathon.

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Night of the Living Dead – George A. Romero’s Horror Classic

For Halloween this year, I wanted to take the opportunity to write about one of my favourite horror films. George A. Romero’s Night of the Living Dead is one of the most iconic horror films of all time. I first watched this when I was in the final year of school, so I would have been 17, coming up to 12 years ago. Some friends came over and I had the DVD in a pile of stuff to watch at some point that my uncle had given me, and someone suggested it. We put it on and about 40 minutes into it, one of my friends said we should watch something else as it was boring. I was surprised, as I was really enjoying it, and thought that everyone else was too. So we did turn it off, and watched something else, that I can’t remember. I later re-watched the full film by myself, and still really enjoyed it.

I can completely understand why some would consider this boring, mainly because the effects and gore are very tame by today’s standards, and the music is very cheesy at points. But if you let the film suck you in, then it really works. It doesn’t rely on jump scares at all, and instead builds a very unsettling atmosphere. The music adds to the atmosphere, even if most of it is from a 1950s B-movie, Teenagers from Outer Space. The film feels like one step above a B-movie, in that it does have some science fiction, with the radiation from Venus causing the dead to rise, as well as the monsters coming to get the characters, but the acting is really decent and the tension and terror has aged well. It’s over fifty years old, but once you get into the film it’s completely absorbing. The dialogue is also really good, and doesn’t come across as cheesy at all.

The opening to this film is absolutely brilliant. It hits the ground running introducing two characters, who feel fully developed straight away. Barbra and Johnny, who are on their way to place a wreath on their father’s grave. Johnny is frustrated, as he doesn’t really remember his father, and it’s a lengthy drive there. He’s making jokes, and mocking Barbra, trying to scare her. At the same time, in the background is a lone person walking, and watching this now you know that it’s one of the ghouls, but it’s still a shock when Johnny dies, leaving Barbra alone as she struggles to get to the now iconic house. The line ‘they’re coming to get you Barbra’ is absolutely brilliant and has stayed with me all these years later.

When Barbra finds safety in the small house, the film becomes very insular, with the only outside contact being through the radio and TV that’s giving updates on the outside world. It’s incredibly claustrophobic, and the house seems to get smaller in each scene. When Barbra is first exploring it, picking up the knife and finding the body at the top of the stairs it seems massive, and when Ben arrives it seems to take a long time for him to board up the windows and doors, then as the film progresses it’s more focused and smaller, shrinking around the survivors as the ghouls get closer and closer with no way to escape.

While the film spawned a franchise that’s pretty much the most iconic ‘zombie’ film series of all time, and has inspired many parodies, copycats, and other films in the sub-genre, the actual word ‘zombie’ is never used. At first the living dead is referred to as murderers and assassins on the news, before this is eventually replaced with flesh-eating ghouls. They’re the recently deceased, who don’t need to be infected by other ghouls, and the radiation from space has brought them back to life to hunt other humans. They’re very slow, but they’re more adaptive than a lot of later zombies, picking up weapons to break through windows, and have more awareness of their surroundings. They don’t put up much of a fight when they’re taken on head on, but if there’s a lot of them they can easily overwhelm. What really puts the survivors in danger, is their inability to work together and make a joint decision. It’s the pettiness between them that really causes their downfall.

I do think that the first two sequels (Dawn and Day of the Dead) are better films, with incredible effects, and gore, but the original is still a fantastic film. It set the standard for zombies films, and it’s such a high bar that very few have come close to matching it. It’s a classic that will be watched for decades to come and will continue to scare generations as well as inspire new stories.

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