Junji Ito Maniac – Episode Four: Four X Four Walls and The Sandman’s Lair

The fourth episode of Junji Ito Maniac adapts two of Ito’s horror stories. The first story, Four X Four Walls, is a strange one to say the least. Koichi is trying to study in his room, but his brother, Soichi, is always bothering him. He bangs around in the attic and tries to prank his brother to make him believe that there’s a poltergeist in the house. To counter this, the family decide to hire a carpenter to soundproof Koichi’s room, except Soichi helps out. While the story hints at something supernatural, it’s essentially just about an annoying brother and there’s nothing supernatural about it. The idea is pretty great, and there are some good moments, especially as everything ramps up once the carpenter finishes his job. Sadly, the ending is really rushed, and it ends very abruptly without the story really being wrapped up. It just kind of finishes.

And then we move onto The Sandman’s Lair, which is an even stranger and bizarre story about Yuji, a novelist who hasn’t slept in three days. He tells his friend, Mari about his trouble sleeping and his belief that his alter-ego will try to get out while he’s asleep. She agrees to look over him while he sleeps and finds out that he’s telling the truth. This story is so much stronger than the first one, it’s really dark and twisted and takes a really weird and unexpected turn half way through. It’s quite short, under ten minutes, but that’s exactly how long it needs to be. The ending is brilliantly unhinged. The only let down for this one is some of the dialogue, especially the last line from Mari, is unintentionally funny.

Like in the second episode, the two stories presented here have next to nothing in common and they don’t really mesh together. It’s an odd pairing, and they stand up a lot better individually. It’s still a decent episode, although the first story is a bit of a let down. It feels like there’s a lot more to the story than what’s shown. I haven’t the manga version, so maybe that’s better. I’ll definitely be checking it out soon. The Sandman’s Lair is good and twisted, and that’s exactly what you’d expect from the series.

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Unwelcome – Film Review

Director: Jon Wright

Writer: Mark Stay

Starring: Hannah John-Kamen, Douglas Booth, Colm Meaney, Jamie-Lee O’Donnell, Kristian Nairn, Niamh Cusack, Chris Walley

Rating: ★★½

Unwelcome is a folklore horror film from director Jon Wright and writer Mark Stay. It follows a young couple, Jamie (Douglas Booth) and Maya (Hannah John-Kaman) as they move from London to Ireland after Jamie inherits a house from his great-aunt. Once they arrive they find that the locals are all very welcoming, but the house is in a state of disrepair.

Within the first few minutes of Unwelcome there’s a really bad scene between Maya and Jamie as they learn that they’re going to have a baby. The acting is awful, the dialogue is worse. It’s so bad that it’s hard to continue watching. Then violence starts and it’s just dumb. Jamie attracts the attention of some local thugs by mouthing off at them. The thugs then follow him home, break in and attack both him and Maya. It’s like watching a poor imitation of Eden Lake, but don’t give up hope there.

Once they arrive in picturesque Ireland, they meet one of Jamie’s great-aunt’s friends, Maeve, who introduces them to the house and village. She also warns them of a local superstition, and asks that they leave some food out in the back garden every day for the Red Caps, little people who live in the woods. The couple dismiss this, but after seeing how seriously Maeve takes her belief, Maya promises to always leave some food out.

Thankfully, Unwelcome is one of those rare films that goes from being bad, to so bad it’s good, and then completes the circle by becoming genuinely brilliant in the final act. By the time the Redcaps actually appear fully, the shocking opening doesn’t matter, because everything has gone completely crazy. That finale is so goofy, funny, and cartoonishly violent that it makes up for everything beforehand. Even when you think everything’s over it double-down on the wackiness and it just works.  

Jon Wright has spoken in interviews that he pitched Unwelcome as ‘Gremlins meets Straw Dogs’, which is pretty much what it is. What starts out as an underwhelming folklore horror film ends up being a really fun time with a seriously crazy ending. This is without a doubt going to become a cult classic in future years.

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Junji Ito Maniac – Episode Three: The Hanging Balloons

The Hanging Balloons is the third episode of Junju Ito Maniac, and definitely the strongest episode from the first three. It should have been the opening episode, to give a really strong start to the anthology series, instead of the underwhelming The Strange Hikizuri Siblings. It’s a post-apocalyptic story that’s almost a zombie story. Instead of the dead coming back to life, there are giant balloons shaped like people’s heads that float down with ropes attached to them and hunt and then hang the person they resemble.

The idea of balloons that look like us and won’t stop hunting us until they kill us is really creepy and works really well in the episode. At the beginning a teen idol dies at the height of her popularity and people originally think that she committed suicide, it’s only when others die as well that people start to catch on. Suspense is built up really well throughout the story as you try to figure out what’s going on. The balloons are left as a mystery throughout with no explanation for them at all. While the story isn’t that scary, the balloons are definitely nightmare fuel, especially the image of the bodies of their victims dangling about as they move through the air.

It’s probably no surprise that some of the moments in the episode come across quite funny, even if that’s unintentional. The big looming heads, waiting outside people’s windows. There’s a moment when a news reporter is broadcasting while on the roof of a building as his balloon comes closer and closer. It’s strange and absurd.

The story is self-contained and does have a nice ending, but it does leave you with wanting more. Everything’s wrapped up, but the idea is so creepy you just want it to continue. It’s still the creepiest episode of the series so far and definitely worth watching for any horror fan.

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Bank of Dave – Film Review

Director: Chris Foggin

Writer: Piers Ashworth

Starring: Joel Fry, Phoebe Dynevor, Rory Kinnear

Rating: ★★★½

Bank of Dave is one of those quintessentially British films that takes the mostly true and mundane story of an everyday person and turns it into an inspiring underdog tale. If you’ve seen films like Fisherman’s Friends, which is also directed by Chris Foggin and written by Piers Ashworth, then you pretty much know what to expect here.

The story is based on the life of Dave Fishwick (Rory Kinnear), a salesman who started lending people money after they couldn’t get loans from high-street banks. After receiving a suggestion to expand and invest, he hires a lawyer, Hugh (Joel Fry) to help him apply for a banking licence, which hasn’t been done in around a hundred and fifty years. Hugh is initially sceptical of the idea, but once he sees the good that Dave has done for his local community and he realises that Dave has no expectations that his proposal will be successful, he decides to help.

This is pretty much exactly what you’d expect it to be. It’s a feel-good film that has a lot of heart. It’s entertaining and is an uplifting story. Rory Kinnear is very likable and charming as Dave, the self-made millionaire looking to give back to those around him. The stakes are very low, since Dave never expects to actually achieve his goal. He knows his application to be turned down, and he’s more determined to reveal how old the banking system is and how they look after their own, with how they won’t let smaller banks compete with the bigger ones. The film also has some social commentary on the UK’s banking sector, especially the general distrust towards bigger banks since the financial crash of 2008. There’s also comments on the healthcare system, especially with the ever-timely topic of how long it takes for people to get appointments, which is quite scary.  

While there’s truth in the story, the film does use a lot of dramatic licence in it’s telling of it. At no point does it try to hide this, claiming that it’s based on a ‘true(ish) story’ in the opening credits. There’s a lot of fictional elements in the story, such as the grand finale with Def Leppard turning up to perform at a concert to help raise money, which was written into the story since the real-life Dave is a big fan of the band. It doesn’t matter that the story isn’t all real, because it’s still a good story and highlights the good that Dave has done.

Completely heart-warming, Bank of Dave is a great feel-good film for a cold January afternoon. It’s not hard-hitting drama, just a simple and inspiring film about the good that people can do. A true British film through and through.

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Junji Ito Maniac – Episode Two: The Story of the Mysterious Tunnel/Ice Cream Bus

The second episode of Junji Ito Maniac adapts two of Ito’s stories, The Story of the Mysterious Tunnel and Ice Cream Bus. The first story follows Goro, a teenager who revisits a tunnel with a group of friends where years before his mother had walked into and died. While in the tunnel he finds his sister wandering about with no recollection of how she got there.

It’s a pretty decent story, that has some really good moments in it. Straight away this story is engaging and unsettling. Spirits in a haunted tunnel is always going to be scary. It builds suspense really well. There’s a really neat moment early on where one of Goro’s friends has water drip on them from the tunnel ceiling and later Goro has the same thing happen, except it’s blood. He wipes it away, not freaking out like his friend, thinking it’s just water like what happened to his friend. As the audience, you know things about to get freaky. Sadly, the story is just a little too short, and doesn’t really have a good ending. Just as the story gets going it ends and then we’re onto the next one. It’s quite a disappointing end.

Ice Cream Bus is also quite short, but it works a lot better for this story. It’s about Tomoki and his father who move into a new building and outside an ice cream bus (not truck, a literal bus) turns up and starts handing out ice cream, and giving the children in the building a tour. Tomoki wants to get ice cream, and his father gives in and lets him get one and go on the tour. It’s a really weird story and it keeps you guessing all the way through about what’s going to happen. The final scene is brilliant and is a great pay off.

Both stories are creepy and entertaining by themselves. However it’s jarring to watch them together, as they really don’t blend well. Other than featuring children and parents there’s no connections. When you get to the end of the first story it’s a hard cut into the second one. It makes the first one feel really rushed, as it’s not really given an ending and you want to know what happens next, but instead, you have to settle into a whole new story. Since these were released on Netflix, surely they could have been split up into different shorter episodes.

Overall the second episode is stronger than the first, but that’s purely because the writing of the original story is stronger. The ideas are a bit more wackier and unique, especially the Ice Cream Bus. Neither story gets that close to actually being scary, but they’re both entertaining and the twenty or so minutes fly by very quickly.

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