I Love You Philip Morris – Film Review

Directors: John Requa and Glenn Ficarra

Writers:  John Requa and Glenn Ficarra

Starring: Jim Carrey and Ewan McGregor

Rating: ★★★½

I Love You Philip Morris is the true story of conman Steven Russell, a larger-than-life character who while in prison fell in love with another inmate and successfully escaped from prison several times in order to be with him. Jim Carrey stars as Russell, giving a great performance that mixes the comic style he’s well known for with a much more sinister side. Ewan McGregor also stars as Philip Morris, the person that Russell fell in love with.

Steven Russell is shown as a liar through and through and has next to no redeeming qualities. At the same time his life is shown as a tragedy, with the opening of the film showing how being adopted (or how he sees it, being abandoned by his birth mother) set him on a bad path. He becomes a police officer just to track down his birth mother, and when he does she shuts the door on him and claims to know nothing about him. The incident pretty much breaks Russell, although it isn’t until he survives a near-fatal car crash that he really starts down the path to being a criminal.

Up until that point he had been trying to keep secret that he is gay. He was married and had a child, but the car crash was the wake up call that he needs to live to the fullest, so he moves to Florida and starts a lifestyle that he can’t afford to keep up. Inevitably he turns to crime, which at first is presented quite comically as he fakes accidents to sue companies for money. Eventually he’s inevitably caught and after a failed suicide attempt ends up in prison where he meets Philip Morris and his life changes forever.

Even with the dark themes and subject matter, like child abandonment and suicide, the film keeps an incredibly light tone. It’s never too long until there’s a joke or something to keep everything upbeat. Russell’s crimes are mostly nonviolent (apart from paying someone to beat someone else up in prison), so he’s not shown as an all-out villain, even though his actions do lead to Morris ending up in prison for something he didn’t do. He says that everything he did was for love, but it’s easy to see that greed plays the biggest part. He just can’t help himself.

Russell takes every opportunity he can find to get what he wants, and doesn’t stop at any point. He always takes things to far to the point that it’s honestly incredible. There’s one point late in the film, and without going into spoilers, it’s one of the best sequences. It has you completely fooled as the audience, and it’s expertly crafted. When the reveal happens, it’s shocking but also by that point kind of expected.

Most of the film is focused on the relationship between Russell and Morris, so the multiple escapes from prison are glossed over in a montage. It makes the later half of the film feel kind of rushed, because you want to see more about how he managed to escape so many times, why the police weren’t constantly watching him. It’s all a mad rush for Russell to keep trying to get back to Morris.

Similarly to Catch Me if You Can, it’s amazing that this is actually a true story. You’d really think that someone wouldn’t be able to get away with so much. Jim Carrey is fantastic, and makes the film. 

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After Parting – Part Four

Sally found that the washing up had already been done when she went into the kitchen, even though she vividly remembered that she’d left the morning dishes on the side. She later found out that was Chris’s mum who’d done that. She spent most of the afternoon that first day just pottering around the house, doing little things that didn’t really need doing and trying to think about bigger things that needed doing. Around three o’clock the phone rang.

“Sally?” the voice on the side said, sounding shaky and worried.

“Hi mum,” Sally replied.

“I heard that you’ve back home now. You should have said something I would have come round. Do you want me to come now?”

“You can come later if you want to? I just wanted to be by myself for a little while.”

“I understand that. I’ll get your dad to pick up some food and we’ll come round later. I don’t want you to feel like you’re by yourself.”

Sally thought that the best way to ensure that she felt alone was to say that the only reason she was to make it sound like an obligation to come round, not because she wanted to. The thought of eating almost made her cancel the visit there and then.

“Thank you. I appreciate that,” she said instead.

“Is everything sorted for the funeral?”

Straight to it mum, no build up to that?

“Yes, I think so. Joyce has been handling it.”

“And they’re helping pay for it? If you need any money just let me know.”

“Jesus, mum.”

“What?”

“I don’t really want to think about money right now. I’ll sort it.”

“I know you don’t want to think about it, but you have to sweetie. It’s going to be difficult to adjust. Have you told your bank about it so they can freeze the mortgage?”

“Yes, mum. Yes. I’ve done all that. I did it in the hospital when you brought in the forms. I still have other things to do, but the mortgage is frozen.”

Sally had to fight the urge to put the phone down. She was grateful that at least later her dad would stop any talk about money. She couldn’t believe it was the first thing her mum thought about.

“That’s good. I’m sorry, I know it’s not right, but you must think about the future. Now more than ever.”

“I know mum. I’m just.”

“I know dear. I know. I’m so sorry that this happened to you.”

“Thank you. I’ll see you later, alright. About six? I’ve got somethings that I want to do beforehand.”

Sally hung up the phone before her mum replied and dropped it to the sofa. She dropped her head to her hands and started crying again. On her shoulder she felt something, like a hand. It felt warm and comforting. She turned and saw Chris sitting next to her. He was blurry through the tears, but she was sure he was speaking to her. There wasn’t any sound coming from his mouth. His grip on Sally’s shoulder grew tighter until it started to hurt. Sally cried out in pain and tried to move away but couldn’t. She couldn’t shake his hand off.

“What’s happening?” she cried out. “Please let me go.”

He was just starring at her intently, making eye contact the entire time. Then he faded and disappeared completely. She could move again, but there was still pain in her shoulder from where he’d grabbed her. She was completely frozen to the sofa, unable to move, speak or even think. Her body felt like jelly, adrenaline pulsating.

Slowly, Sally pulled herself to her feet and walked to the hallway mirror, looking to see if there was a mark on her shoulders. She could still feel the pain, but wanted to make sure it was there. Very clearly, was the red marks that his hand had left. She fell backwards against the wall, holding herself up and breathing deeply. What’s going on, she thought. Was it real? It couldn’t be, surely. It couldn’t be real at all, but it wasn’t in her mind either. It hurt too much to be imaginary.

Her first thought was to call Laila and tell her what happened, but she could already hear the conversation in her head. Laila would say that she was struggling with what’s happened. It’s completely understandable and she didn’t need to worry about it. It would be instant dismissal and that isn’t something she could put up with, not then.

There was a loud crash from upstairs. Sally turned and straightened herself up. She swore in her mind and then headed towards the stairs, while wiping the last remnants of tears away from her eyes as she did.

In Chris’s old office, the one he used to start his designs, the big display board with what he’d been working on recently had fallen off the wall, paper had flown everywhere, and it was all a mess. It had been hanging there for years, without anything happening, screwed in tightly to the wall. The one time that Chris had used a drill in the house and hadn’t just left it for Sally to figure out. There was no way that it would just fall randomly.

As Sally started picking up the sheets of paper, collating them into a rough pile, she noticed that the board itself had a large crack running right through the middle. He would have been so mad if he’d seen that, she thought. Then she remembered how much she used to love looking through his designs. He had such a keen eye for landscapes and making things look so pretty. He was currently designing a playground for a local school, nothing fancy, just simple and elegant. Maybe the school would want the papers, Sally thought as the last one was collected.

To be continued!

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Murder Mystery – Film Review

Director: Kyle Newacheck

Writer: James Vanderbilt

Starring: Adam Sandler, Jennifer Anniston, Luke Evans

Rating: ★★1/2

Murder Mystery was released on Netflix in 2019, although it was first announced in 2012. Originally Charlize Theron was set to star (and received an executive producer credit in the final film), and over the next five years various people were connected to the film before Adam Sandler and Jennifer Anniston signed on, reuniting for their second film after 2011’s Just Go With It.

Sandler stars as Nick Spitz, a New York City police sergeant who’s been trying (and failing) to become a detective, despite telling his wife, Audrey Spitz (Jennifer Anniston), that he is one. For their fifteenth wedding anniversary Nick lies, telling Audrey that he had booked a trip to Europe, something that they had been planning to do when they were first married. While on the plane Audrey meets Charles Cavendish (Luke Evans) who invites the couple to his family’s yacht to celebrate his uncle’s wedding with the rest of his family. While on the yacht Cavendish’s uncle is murdered, and all fingers are pointed at the Spitzes.

As you’d expect from a film with the generic title, Murder Mystery, Nick and Audrey have to clear their name and uncover the actual murderer. They’re the odd ones out, the only ones that didn’t know the victim beforehand. It’s almost like an Agatha Christie story, except Nick isn’t a world-class detective, and Audrey is a hairdresser who’s obsessed with murder mystery novels. Working together they still manage to follow the clues to reveal the mastermind behind it all, despite even the police working against them.

The start of the film, before they reach the yacht, is a little slow and not that funny. Thankfully, once they actually get to the star-studded yacht everything picks up quite a bit. One by one we’re introduced to the various suspects as well the soon-to-be victim, Malcolm Quince (Terence Stamp). There’s some good laugh-out-loud moments as the film goes on and Adam Sandler and Jennifer Anniston work really well together. Sadly, the fun of solving the mystery is taken away by evidence being presented at the last minute, which is a shame.

Murder Mystery is completely fine.  It’s fun while it’s on, and Sandler and Anniston are great, but it could have better. 

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After Parting – Part Three

From the outside Sally’s house looked almost identical to how she remembered seeing it. The grass was a little unkempt, and it was strange to not see a car in the driveway, but it all looked normal. Someone had been in the house almost every day while she was in hospital, tidying letters or throwing away expired food, but she couldn’t tell from the outside.

As Satish pulled the car onto the driveway, Sally could feel her heart getting faster and faster.

“Do you want me to come in with you,” Laila asked.

“No, thank you. I’ll go by myself. Thank you for everything though.”

With each step, Sally was sure she was going to fall on her way to the house. With slow deep breaths, she took one step at a time. The warmth from the sun beating down on her, the sound of birds echoing through the trees, and the house stretched out into the distance. The path grew longer and windier with each step. The sounds of the outside world dwindled as she got closer to the house. It loomed over her, blocking out the sun. Her hand was shaking as she raised the key to the door.

The house was cold and dark inside. None of the curtains had been opened. Sally thought everything was just too still. She walked into the living room and opened the large curtains to look through the window that looked out to the front of the house. She could see Satish and Laila sitting in their car close to the driveway, talking to each other. Probably discussing whether she’d be alright or not, Sally thought. She knew it came from a place of love, but it still annoyed her that they were babying her. She turned around and noticed a stack of mail on the coffee table, that other people had collected for her. Straight away the fishing magazine that Chris subscribed to stood out. She went over and picked it up, the pile of letters falling to the side as she did. He would never see this issue, she thought and collapsed backwards into the seat. If it wasn’t there, she probably still would have fallen. She held it tightly, the wrapping noisily twisting as she did.

Even though the house was empty, she could feel Chris everywhere. His face was smiling from the pictures on the wall. He looked smart in his wedding suit, and silly in a Halloween costume. His jacket was hanging over the back of the kitchen chair, and not on a hook even though she would ask him to put it on the hook every time and she couldn’t understand why he wouldn’t just do it. Instinctively she went to move the jacket from the chair, but the thought of never finding it there again stopped her and she left it. His half-finished book was left on the table next to the sofa, complete with a bookmark that wouldn’t progress further into the sci-fi novel that Sally couldn’t care about. She could see the pages darkened where he had held it while eating crisps.

As she walked upstairs each creak of the stair was familiar, and she could hear the echo of him following her up them. The bathroom was scattered with half finished bottles of shampoo, soap, and shaving gel that would never get used up. She pushed them into the corner, not wanting to see them close to her toiletries. The bed hadn’t been made from the last morning they’d gotten up in a hurry to go to a farmer’s market, the quilt rough and thrown about. His socks from the day before still balled up at the end of the bed. She picked them up and threw them into the hamper, wishing he’d done it just that once.

Sally had expected to spend most of the day crying and in bed, but after walking around the house, she just didn’t have the tears left. She sat on the edge of the bed and looked around the room. It felt like a different room, like she’d never been there before, even though she was the one who had painted it with Chris. They’d done it the first day after moving into the house, painted it a light blue colour and had a laugh while doing it. If she moved the chair in the corner, then the stained carpet where she’d knocked over a paint can would still be there. Like if she lifted one of the pictures hanging on the wall there would be the hole that was in slightly the wrong place, so they had to drill again so all the pictures were lined up perfectly. She could imagine every nook and cranny of the room, but it still felt strange and unwelcoming. The idea of lying down didn’t last long and she stood up to go and start on something else.

That tickle at the back of her throat turned into a coughing fit and she doubled over in pain, tears forcing their way out of her eyes as she coughed and coughed. She was sure her bruised sides were about to burst, but she couldn’t stop. Once it passed, she looked up and caught the mirror in the corner of the room on top of her dresser and saw him there. Chris, standing right behind her and smiling at her. She turned, and wasn’t surprised that he wasn’t there, but when she returned her eyes to the mirror he was still there, but he wasn’t smiling anymore. She’d seen that look in his eyes before. He was angry.

“Oh, God,” she said, falling to her knees. “What’s wrong?”                

Her head hung low and when she looked up Chris wasn’t there anymore. In the mirror it was just her, alone in the bedroom.

To be continued…

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Godzilla Raids Again – Film Review

Director: Motoyoshi Oda

Writers: Takeo Murata and Shigeaki Hidaka

Starring: Hiroshi Koizumi, Setsuko Wakayama, Minoru Chiaki, Takashi Shimura

Rating: ★★★★ 

After the massive success of the 1954 Godzilla Toho quickly put a sequel into production, and Godzilla Raids Again was released just six months later in April 1955. As the original’s director, Ishirō Honda was unavailable, Motoyoshi Oda was hired as director. Considering that a sequel wasn’t originally planned, and the incredibly quick production time, it’s impressive how great the film turned out. 

Unlike the first film Godzilla appears very early on, although he then disappears for a large portion of the film. Two pilots working for a fishing company end up on an island, after one of them have engine troubles, and discover a new Godzilla fighting a different monster that looks likes a dinosaur. Quickly they make their escape and Japan starts to worry that Godzilla is heading to Osaka, repeating the destruction of Tokyo.

This second Godzilla is of the same species as the one from the first film, but isn’t the same one, and it’s fighting an Ankylosaurus named Anguirus. The new monster doesn’t get that much screentime, but still leaves an impression. It’s also revealed that Godzilla is attracted to lights, which the characters believe is due to him remembering the atomic bombs being dropped. They use flares to keep them away from the city, but some convicts crash a car while trying to escape, in a surprisingly tense scene, which causes an explosion and attracts the fighting kaiju into the city.

Tonally this film is completely different to the first one. Gone is the moral ambiguity in the characters actions while trying to destroy Godzilla, as well as the focus on the destruction the kaiju causes. Instead, there’s a much lighter tone that focuses on the spectacle of what’s happening. Straight away this is felt by the playful score from Masaru Sato, which isn’t anywhere near as foreboding as Akira Ifukube’s score from the original. Sato would go on to score other films in the series, as well as films by Akira Kurosawa, such as Throne of Blood and Yojimbo.

Early in the film, there’s a scene where the two pilots first identify the creature that was fighting Godzilla on the island, and then there is a discussion on how would be best to tackle it. This scene is the closest the film gets to mimicking the style of the original. It features Takashi Shimura reprising his role as Dr. Kyohei Yamane, as he describes the destruction caused by the original Godzilla in Tokyo and how the only person who knew how to create the Oxygen Destroyer is dead. They also silently watch footage from the original film, showing the destruction of Tokyo, which is the most sombre Raids Again gets.

The effects on this entry are a step-up from the first film. The fight between Godzilla and Anguirus is brilliant. A lot of the action is sped-up, which was apparently due to a mistake by the cameraman on set, but it makes it look great, adding an almost supernatural feel to it all. The costumes are a lot more mobile. As they battle through the city, destroying everything that’s in their way, including Osaka Castle, it’s exciting and entertaining to watch. 

When the film was originally released in America in 1959, it was retitled Gigantis, the Fire Monster to avoid any confusion as Godzilla died at the end of the first film. While it didn’t have new scenes shot like for Godzilla: King of the Monsters, it was still heavily edited, featuring a loosely translated dub as well as spliced in footage from other films, the original Godzilla, and news reels. 

Godzilla Raids Again set the standard for the franchise going forward. It mostly departs from the style of the original, but also introduces the idea of Godzilla fighting other monsters which has been a staple of the series ever since, as well as being a really fun film in its own right.

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