Fire Punch – Volume Two – Manga Review

The second volume of Fire Punch improves on the first volume in every way. Tatsuki Fujimoto completely subverts so much of what he set up in the first volume. From how volume one ended you expect Agni to have to fight through a bunch of people on his way to get to Doma, but instead a new character, Togata (who was briefly introduced in the first volume), takes care of everyone very quickly and frees Agni. She has one mission and that’s to make a film and she wants Agni to be the hero of the story.

The volume starts with Togata, who later only wants to be referred to as director, looking for Agni and killing the people who are keeping him active. The fight sequence is very messy and I found it quite hard to follow. I think that is intentional, as immediately afterwards Togata checks her camera, hoping that she caught the fight only to find it blurry and hard to follow, which is a good joke as fights are often hard to follow in manga. For the next fight the camera is turned off and the manga skips it and we only get to the see the outcome of it. There’s quite a few moments where Togata comments on and deconstruct how stories are developed and put together in specific ways. She films most of her interactions with Agni, but edits it to make it more interesting, as the manga is edited in the same way. Fujimoto is a brilliant writer and it’s almost like he’s showing off in this volume with the meta humour.

Togata is a brilliant character and to be honest is a lot more interesting than Agni. She’s been alive for three centuries, and is blessed with regeneration like Agni is. Having lived so long Togata shows next to no empathy for the people around her, and is only interested in old American movies. Since she can’t watch them anymore, she sets out to create her own, and finds excitement in following Agni around and chronicling his journey. While she promises to help him, Togata isn’t quite trustworthy and it’s hard to tell if she’s actually helping Agni or just looking out for herself.

It’s still a very dark story, but it doesn’t feel like it’s trying to be edgy and shocking like in the first volume. Maybe it’s just a more restrained part of the story, but it seems a lot more mature and a lot better written than the opening chapters were. I’ll definitely be reading volume three as soon as possible.

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Magic in London: Recovery – Part Ten

Catch up on Magic in London here: https://ashleymanning.com/magic-in-london/


Fiona thought that Chuck looked really rough, like he was ready to drop dead on the spot, but she was still relieved that he was properly awake for the first time.

โ€œHow are you feeling?โ€ she asked.

โ€œNot good,โ€ Chuck said with a raspy voice. โ€œI feel like Iโ€™ve been hit by a train.โ€

โ€œI think thatโ€™s to be expected with whatโ€™s happened. Iโ€™m glad youโ€™re awake though. Itโ€™s been two days since all that happened.โ€

โ€œWhat?โ€

Chuck started to think about his job, friends, family. Everything that heโ€™d missed. People would be so worried. How would he even try to explain it all to them.

โ€œDonโ€™t panic. I just wanted to let you know so you are prepared for when you go back to the normal world. Iโ€™m not able to find Arthur, so I think itโ€™s best that you get back home for now. I donโ€™t want to push you though, so if you donโ€™t feel up for walking, donโ€™t.โ€

โ€œI donโ€™t know what you mean?โ€

โ€œWhatโ€™s wrong?โ€

โ€œI just donโ€™t understand whatโ€™s happening.โ€

โ€œI know this is a lot to take in. Iโ€™m sorry that youโ€™ve been dragged into this. If I knew this was going to happen, I would have never brought you back here. I only thought that Arthur would want to meet you.โ€

โ€œI just want to go home,โ€ Chuck said laying back down and letting the tears start to flow.

His head was pounding in pain and the rest of his body ached more than it had every done before. He kept his eyes closed and wept as Fiona looked over him.

โ€œIโ€™m sorry,โ€ she said. โ€œGenuinely I am. I never expected any of this. I thought that Toby had ran away because he was scared of being here, but that wasnโ€™t true. Heโ€™d known that George was going down to the basement. Heโ€™d been going for the last few days to speak to The Shadow Man, and heโ€™d been tricked by him. That monster is the biggest threat to the universe. Arthur captured him and we keep him here to keep everyone else safe. The children should never go down there, but George managed to get passed our magics and he was lured in by the promise of power. Once Toby knew what was going on, rather than telling us, he fled and hoped that we would follow him. He just wanted to keep us safe, but because of that The Shadow Man was able to divide and conquer. The worst thing is that I donโ€™t know where Arthur is at all. Heโ€™s been missing for the last few days, and no one knows where he went. I wish I had better news to share with you, but itโ€™s a bit of a mess all round. Do you have your phone with you?โ€

โ€œWhat?โ€ Chuck said through the flowing tears.

โ€œYour phone, do you have it with you?โ€

โ€œYes. Itโ€™s in my pocket I think.โ€

โ€œNo, itโ€™s over here. I emptied his pockets,โ€ Millie said. โ€œI didnโ€™t want it to get damaged. Iโ€™ve kept it charged for him.โ€

โ€œThanks, Mills. So, who would be worried about you?โ€ Fiona asked Chuck.

โ€œWhat?โ€

โ€œWho will have been trying to contact you? Just let me know and I can take the phone to the surface and text them. Let them know that you got caught up with a friend and will be back in a few days.โ€

โ€œI donโ€™t know.โ€

โ€œWhat do you mean?โ€

โ€œIโ€™m sorry, I donโ€™t know. I canโ€™t think right now,โ€ Chuck said through the tears that were steadily streaming down his face.

โ€œWell, I tried. When youโ€™re well enough you can go up there and tell them yourself.โ€

Fiona placed the phone back on the table and walked out of the room. As soon as she was out the door she practically collapsed against the far wall, just out of Millieโ€™s sight. Her whole body was on the verge of giving up. She wanted to scream, but the others would see how much of a mess everything was, so she pulled herself up and walked away heading back to Arthurโ€™s room just in case she found something new.

Chuck spent the rest of the day either sleeping or laying in pain and wishing he could wake up from the nightmare that heโ€™d found himself in. Millie continued to perform rituals, hoping to speed up his progress, but was unsure if it was working. No one had been hurt by The Shadow Man in over a century and there wasnโ€™t much information on what could be done to heal from his attacks. At the same time Millie was worried about George. He was still breathing, but he showed no signs of progress. She didnโ€™t think he would make it but didnโ€™t want to say that out loud.

The next day Chuck was able to stand up and get off the bed. It hurt like hell, but he was able to move from the medical room into the hallway and then into a communal space near the dorm rooms for the students. Toby was sitting in there watching something on TV. He looked surprised and happy to see Chuck as he walked in, with Millie close behind.

โ€œYouโ€™re better,โ€ he shouted.

โ€œNot quite,โ€ Chuck said as he dropped into a seat thinking his whole body was about to burst.

โ€œDonโ€™t get too close,โ€ Millie said to Toby as she watched him jump up and move towards Chuck. โ€œHeโ€™s still got a long way to recover.โ€

Toby stopped in his tracks and stood by watching Chuck.

โ€œYouโ€™re healing faster than I thought,โ€ Millie said. โ€œBut I donโ€™t think itโ€™s a good idea to leave just yet. Iโ€™m sure people are worried about you, but we donโ€™t have anyone who can get you back home until we find Arthur. Fiona has put a call out to bring everyone back to Whistling. At the moment thereโ€™s five guardians and four students. Not a lot, I know, but theyโ€™re all heading back here until we can find Arthur.โ€

Over the next few days Chuck slowly improved and got better. He was able to walk around the building, learning about the different rooms, normally with Toby as his guide. The day after his first trip to the communal room he was able to eat without throwing up almost instantly. Then shortly after that he started speaking without a painful scratching in his throat. The whole time he was thinking about back home. Heโ€™d missed a few shifts, his parents would be worried, as would be he friends.

Chuck was given a dorm room to live in while he recovered. It was one that hadnโ€™t been used in almost ten years. It wasnโ€™t much but a little privacy while he was getting better. It was also somewhere that they could keep an eye on him. They didnโ€™t know the long-term effects of The Shadow Manโ€™s attack. He would spend his days playing games with Toby, or walking through the building with Millie. Even Horrick, who hadnโ€™t said a word to Chuck, would sometimes sit with him in the communal room and share silence. Others arrived and would avoid him at all costs, but he was okay with that. After almost a week of living in Whistling Academy, Chuck started to feel back to his normal self and decided it was time that he reappeared in his actual life. He told Fiona, who said she would take him back to London and try to help him find a way home. They walked through the tunnels back into the underground and Fiona led the way as they made their way to the nearest platform and exit up to the surface. Just like before, no one could see them, and they moved through the crowds easily.

โ€œI guess this is goodbye,โ€ Chuck said as they reached the escalator leading to the exit.

โ€œYeah, I suppose it is. I donโ€™t think Arthur will be looking to speak to you after everything thatโ€™s gone on.โ€

Chuck wasnโ€™t sure how to reply to that, so he looked forward and upwards.

โ€œSorry again for bringing you into everything. And thank you. If you werenโ€™t there we would have all died.โ€

โ€œI didnโ€™t do anything.โ€

โ€œThanks anyway.โ€

As they reached the top of the stairs his phone started to vibrate in his pocket. Tons and tons of calls, texts, emails, messages on various services. He closed his eyes and realised just how much explaining he would be doing in the following few days, if not longer.

โ€œIโ€™ll leave you to it then,โ€ Fiona said. โ€œTake this and get home. Iโ€™m sure everyone misses you.โ€

She held out an envelope, inside of which was a train ticket and a few hundred pounds. Chuck took it without asking what was inside, his mind focused on the buzzing phone that was filling up with contact from everyone heโ€™d ever known. He looked up briefly as Fiona gave him a half smile, turned away and walked down the street, leaving him by himself for the first time in over a week. Heโ€™d hoped that she would help him get back to the train station at least, but he wasnโ€™t surprised she left quickly. He unlocked his phone and dialled his mum, who picked up as soon as it started ringing.

To Be Continuedโ€ฆ

Part eleven is available here: https://ashleymanning.com/2023/03/03/magic-in-london-enrolment-part-eleven/! Donโ€™t forget to subscribe to never miss a post:

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House IV: The Repossession โ€“ Film Review

Director: Lewis Abernathy

Writers: Geof Miller and Deidre Higgins

Starring: Terri Treas, William Katt, Scott Burkholder, Denny Dillon, Melissa Clayton, Dabbs Greer, Ned Romero, and Ned Bellamy

Rating: โ˜…โ˜…ยฝ

House IV: The Repossession is the only sequel in the House series thatโ€™s connected to a previous entry. William Katt returns as horror author Roger Cobb from the first film, although the events of the first film arenโ€™t mentioned and the timeframe of this one doesnโ€™t add up with that one either so it may as well be a completely new character. In the original film, Cobb had a young son who he is reunited with at the end of the film. Now itโ€™s five years later and he has a different wife and a twelve-year-old daughter. He also doesnโ€™t ever mention what happened in the first film. It’s like they got so far into production and wanted to link it to a previous entry to give people a reason to see it.

Roger Cobb is also not in the film that much, as his character dies in the opening sequence in a car crash that also leaves his daughter in a wheelchair. Instead, his wife Kelly (Terri Treas) is the main focus of the story. She moves into a house that Roger left her, which has been in his family for several generations. ย Rogerโ€™s half brother is also after the house as he wants to pass it on to the local mob. Kelly finds the house is haunted by spirits and ghosts and she starts to worry for her own safety.

This is a really silly film that doesnโ€™t make much sense. The spirits in the house seem to be there to warn Kelly about her brother-in-lawโ€™s plans but they go about it in the weirdest way possible and seem to be dead set on scaring her as much as possible. Thereโ€™s also a scene where Kelly and her daughter hold a yard sale, and even though their house is in the middle of nowhere people turn up to it. Not that it really matters for the plot either way, itโ€™s just a silly moment.

Like the first two films thereโ€™s an emphasis on comedy and the tone is kept fun and upbeat throughout even with the darker moments it doesnโ€™t dwell on them. Kelly loses her husband, and her daughter ends up in a wheelchair, but they keep quite upbeat about it. Itโ€™s not a depressing film at all, even though it could be. The horror never gets scary either. Itโ€™s something akin to Home Alone in some parts.

The fourth House film is perfectly fine, but itโ€™s nothing special. The more you think about it, the less sense it makes, but itโ€™s not boring while itโ€™s on. As it stands itโ€™s the final part of the House series, but there is a reboot reportedly on the way in 2024.

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House III: The Horror Show โ€“ Film Review

Directors: James Isaac and David Blyth

Writers: Allyn Warner (credited as Alan Smithee) and Leslie Bohem

Starring: Lance Henriksen, Brion James, Rita Taggart, Dedee Pfeiffer, Aron Eisenberg, Thom Bray, and Matt Clark

Rating: โ˜…โ˜…โ˜…ยฝ

House III: The Horror Show is a completely stand-alone entry to the House series, with no relation at all to the two previous films in theme or plot. When it was first released in America it was released simply as The Horror Show, because it was so different to what came before in the series, but it kept the House name internationally. While it was being made it did have a bit of a messy production, with the original director David Blyth being replaced quite early on with James Isaac. Writer Allyn Warner is also credited as Alan Smithee which is usually the name used when someone wants to disown something theyโ€™ve worked on. At the time it received overwhelmingly negative reviews, but it has more recently found a cult following.

Compared to the first two films, that were both comedy horrors, thereโ€™s almost no comedy in this one. Instead, itโ€™s simply full-on horror. Detective Lucas McCarthy (Lance Henriksen) is traumatised by his hunt for serial killer Max Jenke (Brion James), and even after his execution heโ€™s still haunted by the ghost of him. Lucas sees him everywhere, in the car seat next to him, in his food, and on TV. He starts questioning his own sanity and his family become afraid of him, as they start to worry about him as he has increasingly violent outbursts. Thereโ€™s a really good scene where theyโ€™re watching some stand up comedy on TV, and in Lucasโ€™s eyes itโ€™s Jenke on screen. The rest of the family are laughing and enjoying themselves together on the sofa, while Lucas is in an armchair distanced from them and watching in horror as the man he thought was dead is on screen.

Throughout the first half of the film suspense is built up really well with Lucas feeling like heโ€™s going insane and not accepting that Jenke is somehow coming back to haunt him. His life starts to fall apart and as the killings start heโ€™s blamed for them and no one believes heโ€™s innocent. As the film progresses it becomes very obvious that none of it makes sense. You have to just go with it and not think too much about the plot. Thankfully thatโ€™s easy to do. Brion James is clearly having a lot of fun as the ghostly serial killer Jenke, and that keeps the film entertaining.

The effects in the film are really well done. The electric chair scene at the beginning where Jenke survives the initial shock and then they up the voltage until his body starts to bloat and goes up in flames looks gruesome. There are good practical effects later in the film as well such as Jenke appearing in the turkey that Lucas is carving. It also veers towards body horror at points, especially towards the end of the film. Director James Isaac knew what he was doing with effects, having previously worked on effects for films such as David Cronenbergโ€™s The Fly.

Overall, House III is a lot better than the first two films. It doesnโ€™t have any of the comedy, but it makes up for that with a good story, body horror, and great performances from both Lance Henriksen and Brion James. Definitely worth a watch if youโ€™re looking for underrated and underseen horror films.

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House II: The Second Story โ€“ Film Review

Director: Ethan Wiley

Writer: Ethan Wiley

Starring: Arye Gross, Jonathan Stark, Royal Dano, Lar Park Lincoln, and John Ratzenberger

Rating: โ˜…โ˜…ยฝ

After the financial success of the first House film, a sequel, House II: The Second Story, was soon in development and then released a little over a year later. While the first film toed the line between horror and comedy, this one takes the comedy up to another level. Itโ€™s a stretch to call this a horror film. Plot-wise itโ€™s a completely stand alone film, with no relation to the original one.

Jesse (Arye Gross) and his partner Kate (Lar Park Lincoln) move into an old house that has been in Jesseโ€™s family for generations. While in the house Jesse finds a picture of his great-great-grandfather, who he is also named after, holding a crystal skull that is said to have magical powers. As the skull is no where to be found, and believing it to be worth a fortune, Jesse and his friend Charlie (Jonathan Stark) make the completely rational and not at all rushed decision to dig up Jesseโ€™s ancestor to see if the skull in his coffin. They find the skill, but they also find that the elder Jesse is still alive and has been waiting seventy years for someone to dig him up.

All things considered; the elder Jesse adapts quickly to modern life. Heโ€™s bored with TV instantly, finding nothing worth watching, but pulling tissues out of a box is as exciting as anything could be. The skull is keeping him alive and the rest of the film is the younger Jesse and Charlie trying to stop others from taking it, from a pterodactyl to an old rival of the hundred and seventy year old who is back from the dead. Thereโ€™s nothing even trying to be scary in the film, but it is quite funny. Thereโ€™s some decent effects that have aged quite a bit, but itโ€™s not distracting.

Following on from George Wendtโ€™s appearance in the first film is his Cheers co-star John Ratzenberger (Cliff in Cheers). His appearance and that itโ€™s set in a haunted house are pretty much the only links to the first film. Ratzenberger plays electrician and adventurer Bill Towner, who appears for one brief sequence towards the end of the film and is honestly the highlight of the entire thing. Up to that point itโ€™s passable and fairly funny, but heโ€™s brilliant in it and by far the best part of the film. He may not be a very good electrician, but he does know how to deal with alternative dimensions.

Silly fun is the best way to describe House II. It doesnโ€™t take itself seriously at all and if you just go along for the ride, then itโ€™s pretty fun. Itโ€™s not a memorable classic, but itโ€™s funnier than the first entry to the series and has some good moments in it.

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