Edgar Wright’s Films Ranked

With the outstanding Last Night in Soho arriving in cinemas, I thought it was a good time to look back at Wright’s films. For this list I won’t be including A Fistful of Fingers of The Sparks Brothers, because I haven’t seen them. I know that Fingers has been uploaded to youtube, but I’m waiting for the Arrow Blu Ray release that will hopefully one day see a release. The Sparks Brothers is something I’m hoping to see soon but haven’t yet. Let me know in the comments if you rank them differently, it’ll be interesting to compare.  

6 – The World’s End

The World's End movie review & film summary (2013) | Roger Ebert

I’ve only seen this once, and I didn’t think much to it. Maybe there was too much pressure on the final entry to the cornetto trilogy, but I just didn’t find it funny. I don’t know, maybe if I watch it again, I’ll feel differently but I think this is his worst film. I think from the same group of people that made Spaced and Shaun of the Dead this is a real let down

5 – Hot Fuzz

Hot Fuzz (2007) - IMDb

The first time I watched Hot Fuzz I enjoyed it, but every time since I’ve enjoyed it less and less. I remember one year we watched it in school as a Christmas treat, probably a little young for it as well. There are some really funny moments and bits that I really like, I just don’t think it has the same timelessness as Shaun of the Dead does. It’s hard to follow up an almost perfect film.

4 – Baby Driver

Baby Driver (2017) - IMDb

The music and the way the film moves to the beat is simply fantastic. The story entertaining and the characters are interesting. I really enjoyed this one and I think it’s a great film. It’s hard to choose the final four because I think they are so close together. It’s been a long time since I’ve seen it, and I’m feeling like I need to watch it again.  

3 – Last Night in Soho

Last Night in Soho review: Edgar Wright's retro thriller dazzles with '60s  style, falls short on plot | EW.com

I was really excited for this one and was genuinely surprised by how great it was. I’ve recently discovered giallo horror films so was really happy to see that this is a love letter to them. It genuinely feels like something Argento would make at points. The humour is still there, but this is a horror and while I don’t think it’s the scariest film ever, it does have some creepy moments. The music is brilliant, the visuals and lighting is perfect. The cast are all great. The twist genuinely shocked me and I can’t wait to see it again.

2 – Shaun of the Dead  

Shaun of the Dead (2004) - IMDb

It’s almost a crime not to put this at number 1. I think I’ve seen Shaun of the Dead more times than any other film ever. And I’ve still never gotten bored of it. It’s still funny even when I know ever punch-line. I don’t think I’ve met someone who doesn’t love this film. It’s almost perfect and will forever be one of my favourite films ever.

1 – Scott Pilgrim

Edgar Wright says Scott Pilgrim re-release is 'best-looking version you've  ever seen' | EW.com

While it’s hard to top Shaun of the Dead, for me Scott Pilgrim is even better. I know not everyone will agree with this one, but I think this is also a perfect film. It’s full of style, great comedy and characters. The comic is great, but somehow the film is even better. The cast is just perfect, and the music is outstanding. I own it about five times, and will probably buy it again when it’s next re-released.

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The Courier – An Instant Classic Spy Story – DVD Review

Director: Dominic Cooke

Written By:  Ton O’Connor

Starring: Benedict Cumberbatch, Merab Ninidze, Rachel Brosnahan, Jessie Buckley and Angus Wright

Rating: ★★★★

It’s hard to imagine for younger generations that not that long ago there was a real threat that humanity would wipe itself out through the use of nuclear weapons. You can find copies of the Civil Defence Information Bulletin videos that were to be played on all TV stations in the 1960s around the UK if there was ever a nuclear attack. Watching them is chilling at how close the end was and how pointless the attempts to survive would have been. Looking at what happened in Japan, the advice in the videos would have done nothing. The four-minute warning wouldn’t have been enough. It was more of an attempt to keep people calm.

One of the highest points of tension of that period was when the USA learned that the Soviet Union had moved nuclear weapons to Cuba, known as the Cuban Missile Crisis. One of the events that is seen as the turning point of this crisis that avoided a nuclear war is the secret documents that Oleg Penkovsky, a colonel in the Soviet Union, gave to British spy Greville Wynne. This story has been dramatized in The Courier starring Benedict Cumberbatch as Wynne and Merab Ninidze as his Soviet counterpart.

Bringing the fascinating true story to life is two incredible performances by the leads. Cumberbatch plays a middle-aged salesman who is enrolled by MI5 to act as a courier between them and Oleg. He is on top form with giving one of the best performances of his already great career. He’s a perfect fit as a stiff-upper-lip Englishman. When you compare him to the actual Wynne, who is shown in the final moments of the film through archival footage, Cumberbatch portrays him perfectly. Ninidze is also great as Penkovsky, and you real feel his struggle through being patriotic and trying to make the world a better place.

Their lives, with wives and children, mirror each other bringing emphasis that despite the Cold War, people were just trying to live their lives. They are driven by the idea of making the world a safer place for the ones they love and that’s something that everyone can wish for.

The Courier is one hell of a tense film. Everything that Wynne is in Moscow you will be on the edge of your seat, hoping that nothing bad happens, and every time he’s back in England there is a sigh of relief. The pacing is really good with the story being engaging and doesn’t slow down for a moment. At points it can be horrific and you can’t believe that what he went through.

The Courier may overstate the part Penkovsky and Wynne had in averting trouble (there were reports from on the ground spies in Cuba about the missiles, that isn’t mentioned in the film) but their position in Cold War history is still important. They played a part in averting what could have been the deadliest war in history. The Courier captures this with the nervous paranoia of the time and emphasises that we are all people regardless of where we’re from.

The Courier is on digital 29 October and Blu-ray & DVD 1 November from Lionsgate UK

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Halloween – Franchise Round Up

For October this year I wanted to catch up on some of the horror classics that I’ve not gotten around to seeing before. I’ve seen some of the Halloween films, but not all of them. This year I’ve sat down and watched every single Halloween film, from the 1978 classic right up to Halloween Kills. Here’s my initial impressions of each one. I’ve also ranked them at the bottom of the post.

Halloween (1978)

Halloween (1978)

I’ve seen this film quite a few times. It’s an iconic classic from the shocking opening sequence to Carpenter’s score to the unrelenting monster that is Michael Myers. The film is very tame for today’s standards, but it is still a masterclass of pure tension and creeping horror. It’s one of the best horror films of all time and will always keep that title. This time around I ended up watching it with headphones on, and it really highlighted just how great Carpenter’s score is. It’s one of cinema’s greatest. John Carpenter and Debra Hill created something truly timeless with the original Halloween.

Halloween II (1981)

Picking up exactly where the original one left off is the sequel that John Carpenter and Debra Hill didn’t want to make. There were no plans for a Halloween II, but after such a success it was inevitable. I know that Carpenter has said many times that he thinks very little of this one, but I still think it’s a great film. It’s not as good as number one, but it still has some great moments. The twist about the link between Laurie and Michael is great and I think it’s a shame that it wasn’t kept for the 2018 reboot. Carpenter’s score is excellent here. The best thing about it is that if you watch 1 and 2 back to back, they feel like one long film. They blend together perfectly.

Halloween III: Season of the Witch

John Carpenter and Debra Hill wanted to turn Halloween into an anthology series, with each release being a stand-alone film focused on a completely different and unrelated story to anything that came before. The idea was short-lived as Halloween III was critically panned and didn’t do well at the box-office. I hadn’t seen this one before, being put off by the general criticisms the film has received. I am glad I’ve watched it now because I actually really enjoyed it. It’s a fun, strange and entertaining film that feels closer to The Stuff than it does Halloween. It has some gruesome deaths and great characters. I’m not convinced by the relationship between Dan and Ellie, but I can get over it. Carpenter’s score is subtler here than it was in the previous films and is truly excellent.

In recent years this one has been reappraised with a lot of people claiming it is one of the better films in the series. I feel like the reason for that is people who grew up a long time after the film released, like me, have been told for years by family members, online forums and the general legacy the film holds that it’s not worth watching, so when people do watch it now they’re prepared for it to be unrelated and can enjoy it for what it is. I think this film would have done a lot better if it wasn’t called Halloween and I’m glad it exists, I will re-watch this again.  

Halloween III: Season Of The Witch Review | Movie - Empire

Halloween IV: The Return of Michael Myers

I hadn’t gotten around to the Jamie Lloyd films mainly because John Carpenter wasn’t involved and I’d heard bad things. I really enjoyed it though. It’s not scary or tense and it doesn’t live up to the first one, but I did have a good time. There are some moments that are laughable, but in a good way. The story isn’t anything too original or out of the box, it’s a standard slasher film. Michael Myers is a full blown monster at this point. He seems to have recovered his sight after being shot in both eyes. The ending is amazing. I didn’t see it coming and it honestly sent chills down my spine when the reveal happened. Can’t wait to watch Halloween V now.

Halloween V: The Revenge of Michael Myers

I’m quite disappointed with this one. It felt like the set up in IV was great and they didn’t know how to follow it up. A wasted opportunity. This one is the funniest one by far, with the goofy cops and their music. Rachel died way to early on. I love the idea that Michael was nursed back to health by some random guy in the wilderness. The ending is interesting, but I have low hopes for number VI after this one.

Halloween VI: The Curse of Michael Myers

This one was made one year before the first Scream, and somehow looks about ten years earlier. It shouts cheap production. The whole thing has gone of the rails now, in a crazy good way. There’s a cult that’s behind everything. Paul Rudd kills Myers. It’s a crazy, but entertaining story and there are so many great unintentional funny moments. There’s one moment where a group of school kids are sitting outside the school with one of the worst rock songs I’ve ever heard in the background. It’s just a basic guitar riff played over and over. It’s so bad it’s funny, but the film is enjoyable, and I do like the crazy cult sub-plot. I kinda wish they had kept this up.

The seventh film was going to revolve around Paul Rudd’s character, Tommy, going back to Haddonfield and finding out that everyone in the town was involved with it. That’s something we will never get to see now, but it would have been off-the-rails crazy if it had been made. There is also an alternative version of the film, named The Producer’s Cut. It’s not available in the UK, as far as I can tell, so I’ll have to wait to see it. Maybe they will release 4K editions next year, following the ones for this year and I can import it.

H20

I was looking forward to this one, with Jamie Lee Curtis back in the lead role. I was quite disappointed. It’s a generic slasher film, that doesn’t really do anything that great. I don’t understand why they retconned the previous 3 films if Laurie had faked her death. Why didn’t they write it in that she left her daughter to be looked after by someone else, due to her paranoia. It wouldn’t have changed the film at all, just a nice touch to the long-time fans who liked the previous films. Michael is really goofy in this one, his mask looks off and there’s just something about the way he moves that isn’t right. Chris Durand isn’t a good Michael Myers. Overall, it’s bland and a standard slasher film. The music is also dreadful it sounds like the score to a children’s film.

Halloween: Resurrection

This one is a bit of a mess. The way Michael survived H2O was just stupid. Then the film can’t decide whether it wants to be funny or scary, but it’s not doing either. It was enjoyable, but not the best. I really like the idea of the people at the party watching the live stream of everyone in the Myers house. It’s an interesting idea, but I don’t think it was used to its full potential. The mask looks off and goofy in this one again. It’s a poor film overall, but it’s still not the worst thing I’ve ever sat through.

Halloween (2007) - IMDb

Halloween (2007)

Rob Zombie’s remake is more focused on building Michael Myers as a character. The first hour of the film is just back story and showing the events leading up to killing his sister and then his time in the hospital before escaping. I enjoyed the first hour, but the second half didn’t work for me. There’s not enough time with Laurie for the horror to really kick in and the teenagers don’t feel natural. They’re borderline annoying all the way through. The effects are good and there are some good kills, but it’s not a patch on the original. I think it would have been better to extend the first hour to a whole film and make it a prequel to the original.

Halloween II (2009)

This film is a bit of a mess compared to the previous Zombie film. Most of the action bits are too dark to really make anything about and the first twenty minutes are mostly a dream, that homages the original Halloween 2. It’s a bit of cheap move and then when the film starts there’s nothing really to it. Myers kills a few people, but it’s not scary in any way. The special effects on the surgery sequence at the beginning is great, but it’s all downhill from there. The shared dreams between Laurie and Michael are dumb, the music is missing the original theme, it’s really dull. I liked Loomis being a rockstar style author who just gets trashed everywhere he goes. There’s no real point for him to be in the film, but his subplot is more interesting than the main plot. I’m glad they ditched this remake series at this point.

Halloween (2018)

I remember this film being announced and being very excited for it, then it was released, and I didn’t get to see it until it was released on DVD. When I finally got around to seeing it, I really enjoyed it. It’s a great sequel to the original. I like the podcast people investigating Myers. The kills are brutal and the new characters are great. My only issue is I think Laurie is overkill. In this universe only the first film exists, so Michael has killed 4 people, including his sister. Why is she so convinced that he is coming after her? It makes more sense in H20, because the 2nd film exists, so she is his sister and killed more people. In this one, there’s no connection, it’s just paranoia. He’s been in prison for 40 years. I also like the nod towards Halloween 3 in it with the kids wearing the masks from Silver Shamrock.  

Halloween Kills

What a mess of a film. I was really looking forward to this one, but it just feels so directionless and pointless. The killings are entertaining, but that’s about it. It’s not that unhinged, Jamie Lee Curtis is underused and it’s filled with new characters as well as classic characters that only exist to add to Myer’s body count. This is a dreadful follow-up to the 2018 film and it’s killed all my hopes for Halloween Ends. It’s so bad that it makes me feel like the 2018 sequel wasn’t worth it. The whole thing is coated in nostalgia that is just overdone. The titles at the beginning, the returning characters and the extended flashback. It’s just remember this film you liked? Well it’s been almost 45 years and we haven’t been able to come up with a new idea so here it is again. The title is also stupid, as is Halloween Ends, but we all knew that before seeing it.

Halloween Kills Teaser Debuts as Release Delays to 2021 | IndieWire

My Rankings

From worst to best my rankings go:

Halloween 5

Halloween Resurrection

Halloween Kills

Halloween H20

Halloween 2 (2009)

Halloween 6

Halloween 3

Halloween (2007)

Halloween (2018)

Halloween 4

Halloween 2 (1981)

Halloween (1978)

I think this post has gone on long enough, so won’t go into detail about why I’ve ranked them in that order. If you’ve got your own list or favourites, even if you haven’t seen them all, let me know in the comments. I’ll be interested to see your thoughts.

Thanks for reading and until next time,

Ashley

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Hypnotic – One of The Worst Thrillers Ever Made – Film Review

Directors: Matt Angel and Suzanne Coote

Writer: Richard D’Ovidio

Starring: Kate Siegel, Jason O’Mara, Dulé Hill, Lucie Guest, Jaime M. Callica, and Tanja Dixon-Warren

Rating: ★

Every week Netflix releases a handful of films from around the world. This week Hypnotic has been released and may be the worst Netflix original ever produced. It claims to be a horror mystery, but there is nothing scary or suspenseful about it. The premise is not very well thought out and the characters don’t act like people. It’s hard to stay invested in something where people don’t do basic things to escape the situation they’re in.

Jenn (Kate Siegel) is struggling with grief after a miscarriage and breaking up with her fiancé Brian (Jamie M. Callica). Her life has stalled, and she’s stuck in a bad place. To help, she seeks out a hypnotherapist after the suggestion from one of her friends, Gina (Lucie Guest). Things are starting to look up and Jenn’s life is getting back on track, until she bumps into her therapist and has lunch. He suggests inviting her Brian to dinner to see where they stand with each other. Just before buying groceries, she has a phone call from a blocked number, goes into a trance and almost kills Brian with an allergic reaction. Jenn starts to suspect that her therapist may be behind it.

The premise of the story is interesting, but the way it plays out is really silly. When the big reveal happens, about why the therapist is hypnotising her, it just feels so over the top. It’s really trying to be unsettling and creepy, but it’s been done before in better ways. I won’t spoil anything here, in case you do end up watching it.

The biggest issue is everything could be solved by not talking to the therapist. Jenn discovers quite early on that the therapist used hypnosis to kill a previous patient by calling her and trigging a hypnotic state. Even though Jenn, Gina and a police detective know it’s the therapist, Jenn and Gina don’t change their phone numbers, so he’s able to call them. Jenn doesn’t look through the peephole before opening the door. It’s things like this that just take you completely out of the film. They are smart enough to figure out who’s behind it but take no precautions at all.

At one point Jenn goes under hypnosis again to record the therapist while under the influence. Not thinking that he could kill her or ask her questions that she must reply honestly. By the time the film reaches its conclusion you don’t care about Jenn, because no one would act like that at all. The police looked into the previous patient’s death, but the case was closed early, because? Reasons. Well, the plot wouldn’t happen if the police did the same amount of research that Jenn does on Google in one afternoon when she suspects it’s him. The writing is just atrocious.

Hypnotic is a lazy excuse for a suspenseful horror. It’s like a first draft that hasn’t been edited. Even though it’s under ninety minutes it feels at least double that. The plot meanders to its inevitable conclusion and by the end of it you’ll want hypnotherapy to forget you’ve ever seen it.

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End of October Update

So, October has gone quickly and not exactly to plan. I didn’t get round to watching a horror marathon of your recommendations due to internet issues and a lack of time outside of that. I’ve got a word document with everything recommended to me and I will be watching them all over the next few weeks. Sorry about that, but thank you for recommending them. I’ve enjoyed what I’ve seen so far. The Babadook was great, as was The Final Girls. I think Dave Made a Maze was a missed opportunity but I still enjoyed it.

Tomorrow I will be uploading my round-up of the Halloween franchise. I just have Resurrection to watch tonight and then I’ve seen all 12 of them. Considering how much I like the first one, I’m not sure what put me off the sequels, for the most part I’ve enjoyed them. After that I’m not sure what the next franchise will be, hopefully something shorter.

I started reading The Whistling yesterday, not very far through it, but enjoying it so far. There’s a creepy tone to it and I’m very excited to see where it goes. I’ll be reading that over the next few days. It’s hooked me straight away. Feels like an old gothic horror and that may be my favourite genre.

My main focus at the moment is getting ahead again on film reviews. I was ahead at one point by almost a week, but thanks to the internet issues I lost that lead. I’ll be getting it back again as soon as possible. Once I’m ahead I can start focusing on my short stories again. I have a couple almost finished, and it would be nice to get another one finished and uploaded before the end of the year.

Friday, I’m going to be writing up a ranking of Edgar Wright’s films. He’s one of my favourite directors, and with Last Night in Soho out, it seems like the perfect time to write about all of his films.

Thanks for reading and until next time,

Ashley

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