Anastasia – A Modern Magical Fairy Tale – Film Review

Watch Anastasia | Full Movie | Disney+

Directors: Don Bluth and Gary Goldman

Writers: Susan Gauthier, Bob Tzudiker, Noni White and Eric Tuchman

Starring: Meg Ryan, John Cusack, Kelsey Grammar, Christopher Lloyd, Hank Azaria, Bernadette Peters, Kirsten Dunst, and Angela Lansbury

Rating: ★★★½

For most of the 20th century there have been various films, books and general folklore putting forth the idea that Anastasia Nikolaevna survived her family’s execution in mid-1918. The idea is that she went into hiding and several people have come forward claiming to be her in the last century. It’s not been proven that she died with her family, but the stories are still spread around. Before the conclusive evidence was discovered, Don Bluth and Gary Goldman captured a generation with their animated adaptation of the modern fairy tale.

Anastasia (Meg Ryan) and her grandmother, Marie Feodorovna Romanov (Angela Lansbury) escape from an attack on the palace by revolutionaries. While escaping Anastasia falls, hitting her head and leaving her with amnesia, while Marie manages to board a train. Ten years pass and Anastasia has no idea about her past, while at the same time Marie is searching for her lost granddaughter, offering a huge reward. Dimitri (John Cusack) sees the opportunity to con Marie, by holding auditions for someone to take the place of Anastasia. While searching for the perfect candidate he unknowingly comes across the real Anastasia.

The animation feels very Disney-like for a film made by a rival studio at the time (Funnily enough the rights are now owned by Disney). You could almost mistake this for a Disney classic form the time and it stands proudly alongside the releases at the time. It still has the flair that you’d expect from Don Bluth, especially with the way the characters move. You can feel this is from the same man behind Dragon’s Lair. Now that the film is almost a quarter of a century old, it does show it’s age a little, but it’s not too distracting.

The cast for this film is great for the time. They were all big stars when the film came out, from Meg Ryan who has starred in several big films, John Cusack who was the height of his career, to Christopher Lloyd who was still riding high from Back to the Future and The Addams Family. The only disappointment with the cast is that they aren’t doing their own singing. It would have been pretty special to hear Christopher Lloyd sing his songs. In replacement we do get a great set of singers, and they do sound very close to the actual actors.

While the story is based on a modern myth, it does still follow a traditional structure. Dimitri isn’t a nice character at first, but he grows. He gets closer to Anastasia, and cares less and less about the con he’s been planning. It’s a standard story, and there’s nothing surprising here. The characters are likable and it does help this become an engrossing story.

While there’s nothing revolutionary about the story and the animation has aged a little, Anastasia is still a modern classic. It’s one of the better western animated films from the 1990s not to come from Disney, and it’s still just as enjoyable today.  

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Gamera vs. Gyaos – Monster Mondays!

Gamera vs. Gyaos (1967) - IMDb

So, we’re back again, this time with the third film in the Gamera series. This time an underwater earthquake sets a chain reaction that causes Mt. Fuji to erupt. Gamera, now just a fully-fledged hero, arrives and saves the day. Except Gyaos, a flying monster, has been unleashed on the world. He can shoot lasers, and his only weakness is being exposed to the sun, being dizzy and towards the end of the film we discover he’s also weak to his neck being bitten horrifically.

To be completely honest with you, this one isn’t very good. It has none of the fun charm from the first film and none of the well written characters of the first one. Gyaos is a dumb monster. It looks goofy every time it’s on screen and the only good thing about it is that it’s just funny. One of the things about Gyaos is that he can’t turn his neck as his spine splits into a v-shape in his neck. There is a plot reason given, but we all know it’s because the suit is cheap. When it’s flying, it just looks stupid. It’s closer to a jet than a flying bird monster.

Gamera at the start of the film appears out of nowhere to save the day, galloping up towards Mt. Fuji, which is really funny. Gamera may not be Godzilla, but he’s a great monster. The suit looks pretty decent here and the effects do look at lot better than the previous one.

Saturday Afternoon Kaiju: Gamera vs Gyaos (1967) — Talk Film Society

The human plan to stop Gyaos is to spin him around until he gets dizzy and let the sun shrink him. They lure him in with fake blood, and then spin the contraption around and around until he’s dizzy, it breaks and Gyaos is free. While the plan is in action all I could think about was how much the guy in the suit must have been suffering. There are stories of how hot the suits were for these kind of films, and that there would be a pool of sweat that would need to be emptied throughout the day that collected in the bottom. Can you imagine being spun around, with your feet soaked in your own sweat, while in blistering heat. It must have been akin to torture.

Overall the third outing for Gamera was really bad. It had some really great and funny moments, but it is the weakest of the series so far. It’s cheap, a little boring and doesn’t have a lot going for it.

Next time is Gamera vs. Viras.

Thanks for reading and until next time,

Ashley

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The Last Letter from your Lover – Film Review

The Last Letter from Your Lover (2021) - IMDb

Director: Augustine Frizzell

Starring: Felicity Jones, Callum Turner, Shailene Woodley, Joe Alwyn, Nabhaan Rizwan

Rating: ★★★½

Based on the 2008 novel by Jojo Moyes of the same name, The Last Letter from your Lover tells a love story that spans generations from the ‘Swinging 1960s’ to modern day London. Directed by Augustine Frizzell, the story jumps back and forth between the two narratives, highlighting the differences in society between then and now, while telling an emotional love story.  

Both the 1960s and present-day storylines are told at a brisk pace with frequent shifting between the two. It’s through this that we get both a classical romance and a more modern rom com type story. The story does also give examples of how the world has changed, from the language they use, to the way women are treated, but this takes a back seat to the romantic drama on display. The dialogue though is fantastic, switching drastically and effective between both.

The performances are great and really pull the whole film together. Felicity Jones (The Aeronauts, The Theory of Everything), as always, is fantastic as Ellie. Her dialogue feels really natural, and the trouble of her bad break-up shows in the way she interacts with others. Her character really contrasts nicely with Shailene Woodley (The Fault in Our Stars, Little Big Lies) as Jennifer Stirling from the 1960s side of the story. Combined they show the difference in social attitudes from then and now. Woodley’s performance is fantastic, full of nuance and strong moments, from the muted hesitation at not being able to join the men’s conversation at the dinner table to the confrontation with her absent husband. The chemistry between Woodley and Callum Turner (Fantastic Beasts) as Anthony O’Hare is electric and alive, with a lot more passion than the relationship between Ellie and the newspaper archivist Rory, played by Nabhaan Rizwan (1917) in the modern side of the story.

The 1960s is looked upon with rose-tinted nostalgia with great music, beautiful set designs and wonderful costumes to capture your imagination and keep you hooked on the story. At the end of every flashback, you want to carry on in the 60s and find out what happens next, and the same with each present-day segment.

What could be two generic love stories is presented in a unique way, making The Last Letter from your Lover feel fresh and new. It’s a lovely emotional story, but not much more and sometimes that’s all you need. There are moments, especially towards the end, where it drives towards a soppier approach, and moments where it seems to want to follow the tropes of a rom com; without committing to either style, it can be a bit of a mishmash of both. For the most part, the two styles blend well together and gives something for romantics of all kinds to enjoy.  

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Vampires vs. the Bronx – Salem’s Lot with Gentrification – Film Review

Director: Oz Rogriguez

Writers:  Oz Rodriguez and Blaise Hemingway

Starring: Jaden Michael, Gerald W. Jones III, Gregory Diaz IV, Sarah Gadon, Cliff ‘Method Man’ Smith, Shea Whigham

Rating: ★★★

Vampires vs. the Bronx (2020) - IMDb

Miguel (Jaden Michael) is trying really hard to raise money for the local bodega in the Bronx. He’s having a bloc party to try and help the owner with the rising rents. All around the neighbourhood stores are being brought up by a mysterious company. When Miguel is being chased on the way home, he finds out that the newcomers on the block are actually vampires. He sets out with his friends to try and stop them and save not only the bodega but everyone in the neighbourhood.

Like most great horrors Vampires vs. the Bronx spends a good amount of time setting up the characters at the beginning of the film, giving us time to get to know them and want them to survive the inevitable horrors of the later half. There’s a few tense moments later that only work because the characters feel so real and you’re invested in them, you don’t want them to die.

The whole film is only around eighty minutes long, it absolutely flies by. Once the set up is out of the way the action starts and then it feels like it’s over very quickly. It builds up and reaches its climactic fight too quickly. After developing the characters and neighbourhood so well, it’s a shame that there isn’t enough done with the high stakes. You really care about the main characters, and while there is some loss along the way, it feels like it’s over before it’s really begun.

The story of vampires moving into an unsuspecting neighbourhood and buying retail has been done quite a few times. It’s an archetype of the genre. With them setting up strange fashion and furniture stores that most of the residents wouldn’t be able to afford to shop in, it feels like it’s borrowed a lot from Stephen King’s Salem’s Lot, where the vampires open an antiques store that the residents can’t afford to shop in. While in King’s novel it’s used as a cover to move in the coffins, in Vampires vs. the Bronx it is a metaphor for gentrification and how certain neighbourhoods are losing their core identity with increasing prices forcing out families.

The action is pretty lacking in this film. There’s a few nice moments, especially the vampire attacking the bodega, but it doesn’t have any truly thrilling action sequences. The attacks are quick and ruthless, the vampire deaths are very fast, which makes it feel like the vampires don’t have very good fighting skills. They go down very easily. While it isn’t an all-out comedy there are still a lot of funny moments and it has an upbeat tone with some really funky scene transitions, sound effects and almost comic-book feel to it.

For all its flaws at the centre of Vampires vs. the Bronx is a cast of likable and great characters. It may not be an all-time classic, but it’s still a good vampire film, with a lot of recycled plot points, that is very entertaining.

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Anna and the Apocalypse – A Joyous Musical about the End of the World – Film Review

Anna and the Apocalypse (2017) - IMDb

Director: John McPhail

Writers: Alan McDonald and Ryan McHenry

Starring: Ella Hunt,  Malcolm Cumming, Sarah Swire, Christopher Leveaux, Marli Siu, Ben Wiggins, Mark Benton, and Paul Kaye

Rating: ★★★★

Anna and the Apocalypse is a Christmas musical zombie comedy/horror. It’s not going to appeal to everyone, but for those it does, it is a an incredibly funny and bizarre film that deserves a lot more attention than it originally received upon release. Inspired by everything from High School Musical to the musical episode of Buffy the Vampire Slayer, Anna and the Apocalypse shines in so many ways. Co-writer Ryan McHenry wrote and directed short Zombie Musical which is the basis for the full film. Sadly, he died of cancer while the film was still in production, but co-writer Alan McDonald and director John McPhail both did a great job a honouring his legacy and creating something that feels inspired, original and just pure brilliance.

It’s almost Christmas time and Anna (Ella Hunt) is looking forward to finishing the school year and travelling before university, against her dad’s wishes. The soon to be tyrannical headmaster Mr Savage (Paul Kaye) is trying to ruin everyone’s fun, before he takes over the school once the current headmaster retires. On the night of the Christmas show Chris (Christopher Leveaux) strangely misses his girlfriend’s performance. The next morning on the way to school Anna and John (Malcolm Cumming) find out the reason Chris wasn’t there is because the zombie apocalypse has started. They try to team up with friends and enemies to make it back to the school to save Anna’s dad.

This feels like the kind of film that could have gone so wrong, but it just gets almost everything right. Form the moment the singing starts, it’s just insanely fun and magical. The music numbers are really well written and choreographed. The lyrics are clever and funny. One of the highlights is the song ‘Turning My Life Around’ that Anna and Chris sing while walking to school the morning after the Christmas show. It’s like Shaun’s walk to the shop in Shaun of the Dead, where he doesn’t the impending apocalypse around him, just multiplied with even more silliness.

You very quickly grow to like the main characters. Anna and Chris are obviously meant to be together, although Anna doesn’t seem to notice it. Chris and his girlfriend, Steph (Sarah Swire), are really good together when they’re on screen. One of the best characters is Mr. Savage, the maniacal teacher who Is hellbent on destruction and a tough rule with an iron fist.

The only real downside is some of the novelty does wear off in the middle. It brings it back round with Mr. Savage singing the crazy ‘Nothing’s Gonna Stop Me Now’, as he’s setting the traps in the school. The film starts out really strong and ends really strong, it just struggles to keep the same energy all the way through.

Anna and the Apocalypse is the perfect Christmas film for horror fans. It’s joyous, funny, and something you could sing-a-long to after many re-watches.

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