Dungeons & Dragons: Honour Among Thieves โ€“ Film Review

Directors: Jonathan Goldstein and John Francis Daley

Writers: Jonathan Goldstein, John Francis Daley, and Michael Gilio

Starring: Chris Pine, Michelle Rodriguez, Regรฉ-Jean Page, Justice Smith, Sophia Lillis, and Hugh Grant

Rating: โ˜…โ˜…โ˜…โ˜…ยฝ

Dungeons & Dragons: Honour Among Thieves is directed by Jonathan Goldstein and John Francis Daley, and co-written by them and Michael Gilio. It follows a band of adventures, lead by Edgin Darvis (Chris Pine) as the try to rescue Edginโ€™s daughter, Kira (Chloe Coleman) from one of the groups former members, Forge Fitzailliam (Hugh Grant). As youโ€™d expect, along the way they have to explore dungeons and also fight dragons. ย 

Honour Among Thieves is a very funny adventure from start to finish. Itโ€™s a brilliant world, with endless possibilities and so much fun to be had. It does a great job at introducing you to the world of Dungeons and Dragons, even if you have no prior knowledge about it, and making it really easy to understand. Thereโ€™s a lot of weird and bizarre ideas being thrown at you, and youโ€™re never left behind or feeling lost. The exposition flows really well into the story, so it also never feels like the action is being paused just to give you an explanation about how something works. Itโ€™s often mixed in with a few jokes as well.

Each character is great as well, and everyone will have their own favourite by the time the film ends. Chris Pine is effortlessly likeable and funny, as youโ€™d expect, and Michelle Rodriguez as Holga Kilgore is brilliant as well. The characters are like a family and they have great chemistry together. All the way through thereโ€™s a real fun tone to everything. There are tons of laugh out loud moments and a few good running jokes. Some of the jokes you see coming, but they still get a laugh. On top of that the action is really good as well. The fights are spectacular, with great choreography and imaginative powers being used.

Honour Among Thieves is everything you could possibly want from a Dungeons & Dragons film. Itโ€™s an imaginative adventure and one of the best fantasy worlds to be shown on screen. Thereโ€™s a TV series on the way, and hopefully the magic can continue.

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65 โ€“ Film Review

Director: Scott Beck and Bryan Woods

Writers: Scott Beck and Bryan Woods

Starring: Adam Driver and Ariana Greenblatt

Rating: โ˜…โ˜…ยฝ

65 is written and directed by Scott Beck and Bryan Woods, who also wrote the original A Quiet Place film. Itโ€™s a sci-fi action film thatโ€™s set 65 million years ago and follows Mills (Adam Driver) a spaceship pilot who crash lands on Earth before the existence of humankind. With Mills is Koa (Ariana Greenblatt) the only other survivor of the ship. Together they must find the last remaining escape pod to get off the planet and get back home.

Almost immediately this film gives off a b-movie vibe. The premise is a little goofy, but thatโ€™s not a problem, as long as you switch your mind off and don’t think about any of it too much. Itโ€™s all very predictable and you can pretty much guess how the plot will workout straight away. Mills and Koa bond, in a way that’s reminiscent of The Last of Us, as they try to survive together and they are both likable characters to make it work. Thereโ€™s some tense scenes and some decent action, but nothing spectacular.

There are some neat ideas throughout the film. Mills and Koa donโ€™t speak the same language so they have to find different ways to communicate with each other. Koaโ€™s family died in the crash, but Mills isnโ€™t able to explain that so ends up just letting her believe theyโ€™re still alive. Mills’s backstory is more fleshed out as the story goes on, which is one of the better bits . Some of the gadgets that Mills have are pretty cool, and theyโ€™re used in inventive ways. Surprisingly itโ€™s also quite funny and has some genuinely good jokes in it.

65 is neither amazing nor terrible. Itโ€™s watchable and enjoyable enough while itโ€™s on, but once itโ€™s over it will slip from your mind quicker than its short run-time.

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Magic in London: Enrolment – Part Twelve

Catch up on Magic in London here: https://ashleymanning.com/magic-in-london/


Chuck sat on the bench as the train pulled away from the platform. It didnโ€™t take long for the place to start to fill back up, more people seeming to come from every direction. He leant backwards, his head resting on the wall. Normally, he would think about the dirt and grime that was layered up on the wall and all the horrible things that would be moving into his hair. Heโ€™d imagine spiders, lice, and other creatures crawling onto him and nesting in his hair. But after everything that happened, none of that seemed important. Arthurโ€™s words were spinning around inside his head. The thought of trying to live a normal life, knowing that there was a completely different world out there, was almost impossible. At the same time, the idea of not going back home and trying to forget about everything was terrifying. He had almost died, and that was dawning on him more and more with every second. What had he been doing with all that time, the pointless shifts heโ€™d worked, the endless nights watching rubbish TV, and the monotony of it all. If heโ€™d died at Whistling, then none of it would have meant anything.

Another train pulled into the station, and the group of people moved about in an almost dance. People getting off the train being replaced by people getting on, moving about each other with annoyance and grace. The crowd dispersed once again for a new one to populate the station. He had always wanted to believe that things happened for a reason. Always wanted to think that there was a masterplan to everything and that the worst parts of life were building to better things. Maybe this was that moment. Maybe if he took the step into the unknown, he would find something that would make every life-draining shift worth it. Heโ€™d experienced literal magic at Whistling, and he knew deep down that it would be too hard to give up.

The sun seemed to be brighter than earlier, but it was still cold. Chuck held himself, making his coat as tight as possible as he walked out onto the street, looking for somewhere to be out of the way. Heโ€™d needed to find out where Churchyard Primary School was. It wasnโ€™t a place heโ€™d ever heard of before, but his phone led the way. Heโ€™d taken the tube as far as he could, and still had a twenty-minute walk before he could reach the school. As he approached the gate he saw Fiona walking from the opposite direction. He was more glad to see her than he thought heโ€™d be.

โ€œWhat are you doing here?โ€ she asked as she reached him, looking puzzled.

โ€œArthur told me to come here, to help you with whateverโ€™s going on here and then go back to Whistling to meet him.โ€

โ€œWhat? You spoke to Arthur?โ€

โ€œKind of, it was weird. Kind of like a dream, but I was awake.โ€

โ€œYeah, heโ€™s good at doing that. Lucky you. I just got Annwn.โ€

โ€œUmm, what?โ€

โ€œHis chough. Itโ€™s a bird.โ€

โ€œIโ€™m still not sure what you mean by that.โ€

โ€œHe sent his bird to give me a message. It speaks. I donโ€™t have the time right now, so either believe me or donโ€™t.โ€

โ€œOkay, he has a talking bird. I donโ€™t think itโ€™s the strangest thing Iโ€™ve found out about recently. What are you doing here?โ€

โ€œArthur found out about someone who belongs at Whistling. Theyโ€™re quite powerful and they go to school here, so we need to collect him before he hurts someone.โ€

โ€œSo what? Youโ€™re just going to go in there and kidnap him?โ€

โ€œNot exactly, but we have to do something.โ€

โ€œWhy canโ€™t you go and explain it to his parents, you know, after school.โ€

โ€œDo you think they would understand if I went and knocked on there door and said, your sonโ€™s a magician and he needs to come with us? They would laugh us out of the room. We have to do this our way. Arthur found out about him because he hasnโ€™t been home in three days, no one in the school has.โ€

โ€œIโ€™m going to need some more information on that. Sometimes you say something as if Iโ€™m just going to completely understand what you mean, when I clearly wonโ€™t.โ€

โ€œYou know, I think I liked you better when you were in a coma. You were funnier then.โ€

Chuck was going to retort that she was being a little harsh, but as she finished speaking, he could see that she felt bad for saying it. There was pain in her eyes and he was sure she was going to feel guilty about what happened for quite a while, so he bit his tongue and didnโ€™t snap back.

โ€œSo what are you actually going to do?โ€

โ€œI donโ€™t know, just yet. Arthur warned me that it would be difficult, but Annwn didnโ€™t exactly go into specifics before he flew off. Iโ€™ve just got here, so Iโ€™m going to play it by ear. Thereโ€™s a kid in there, who has the power to distort reality. Heโ€™s powerful, since no one has noticed, and I donโ€™t think this would be the first time heโ€™s done this. He might not even realise that heโ€™s doing it. Heโ€™s keeping everyone there in a prison, essentially.โ€

Fiona turned to the building. To Chuck, it looked like a normal school. A smallish, old, building that was a little run down and nothing special. He wouldnโ€™t have taken any notice of it if heโ€™d been walking past. Fiona held out her hand and there was a resistance to it. She couldnโ€™t move forward. She could feel it in her head, that her brain was telling her to turn around and go away. She took out her knife and held it forward, making small circles in the air while whistling softly. Chuck was sure he saw the world shimmer. While still whistling, Fiona walked forward and disappeared, leaving Chuck alone on the pavement. The winter winds blowing harshly against his already cold face. 

To Be Continuedโ€ฆ

Part thirteen is available here: https://ashleymanning.com/2023/03/17/magic-in-london-enrolment-part-thirteen/! Donโ€™t forget to subscribe to never miss a post:

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Scream VI โ€“ Film Review

Directors: Matt Bettinelli-Olpin and Tyler Gillett

Writers: James Vanderbilt and Guy Busick

Starring: Melissa Barrera, Jasmin Savoy Brown, Mason Gooding, Dermot Mulroney, Jenna Ortega, Samara Weaving, Hayden Panettiere, and Courtney Cox

Rating: โ˜…โ˜…โ˜…ยฝ

After Scream (2022) proved that there was still life in the franchise, it took just over a year for Scream VI to happen, with Matt Bettinelli-Olpin and Tyler Gillett returning as directors, as well as James Vanderbilt and Guy Busick writing the script. Sadly, a lot of the build up to the film was overshadowed by Neve Campbell not returning due to a contract dispute, and while she is missed, this entry does prove that Scream can survive without Sidney Prescott.

The tagline for this film is โ€˜New York, new rulesโ€™ and the opening definitely lives up to that. It completely subverts expectations and does something completely different, in more ways than one. Itโ€™s a wake-up call that this isnโ€™t going to be the same as whatโ€™s come before. Itโ€™s shocking, brutal and very bloody. Ghostface is incredibly aggressive in this film, chasing the Core Four (which is the name that the survivors of 2022 have given themselves) constantly. The kills are brutal, and thereโ€™s a lot less comedy in this one than there is in the previous entries. Itโ€™s all about tension and violence. As the film progresses it does venture into very safe territory, re-treading elements of the previous films and not being as ambitious as the opening would have you believe it would be. Essentially this is to Scream 2 what 2022 was to the original.

Thatโ€™s not to say thereโ€™s not absolutely great moments in the film, because there really is. Thereโ€™s a long sequence with Gale being chased around her apartment that will have you on the edge of your seat holding your breath. Thereโ€™s a shrine to Ghostface that is brilliant, with so many references to whatโ€™s come before, and that’s where the excellent finale takes place. An early scene in a little shop, thatโ€™s completely ruined by the trailer, is filled with tension and shows how aggressive Ghostface is straight away. The core characters are great and the way they deal with whatโ€™s happened in the past is really well done. They all deal with grief in a different way and theyโ€™ve changed a lot because of what happened to them.

At the same time it doesnโ€™t have the edge that 2022 had. Maybe itโ€™s too soon for another sequel, but this one lacks the same bite. Thereโ€™s moments in 2022 that really hits like a gut punch every time you see it, and thereโ€™s nothing close that in this one. The new characters are essentially there to boost the kill count, which is even stated by Mindy, and there not that memorable unlike the ones introduced last time. Thereโ€™s a neat look at online conspiracy theorists within the story, but itโ€™s not that important to the plot, and it would have been nice to explore that even further.

While Sidney isnโ€™t back, fan-favourite Kirby Reed (Hayden Panettiere) makes a reappearance after surviving Scream 4. This time around sheโ€™s an FBI agent who had been studying the Ghostface murders, and has been keeping tabs on the Carpenter sisters after the 2022 murders. Courtney Cox also reappears as Gale Weathers, doing exactly what youโ€™d expect Gale Weathers to do, following the story and writing books about whatโ€™s happened before. Weathers is the only character from the original to make an appearance, and itโ€™s very clear that she isnโ€™t safe. After the last film the stakes are high, and anyone can be killed at any point.

Overall Scream VI is another solid entry to the franchise. Itโ€™s tense, bloody, and does stray a little from the formula that the series is known for. Itโ€™s not as strong as Scream (2022), but itโ€™s still a worthy sequel and hopefully there will be more.

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My Love of the Scream Series

Tonight I’m going to see a double-bill of Scream (2022) and Scream VI, and I’m very excited to see the next chapter. Scream is one of my favourite horror franchises and I love all of them, although the first one remains the best. I’ve heard almost universal praise for VI and have high hopes for it.

Up until recently I was a little anxious about it. With no Sidney, and a very quick production, I wasn’t sure what to expect. It was over ten years of waiting for the fifth one, and then a sixth only a little over a year later. The trailer set those worries at ease and now the reviews are giving me much higher hopes than when they originally announced it.

My mum introduced me to the series, when I was probably a little too young. She told me that the first ten minutes were scary and then it’s a comedy after that. I really enjoyed it and watched the sequels very quickly afterwards. Since then I’ve rewatched it many times and the original Scream has become mine and Tabby’s go-to horror film for Halloween. We’ve watched it every Halloween for the first few years and it’s become our annual tradition. I genuinely feel like the first film just gets better and better with every re-watch.

Ranking these films is very difficult, as they’re all amongst my favourites. That’s what I wanted to do with this post originally, but I couldn’t actually put them in an order. To me they’re all so close together. It would be the first one as the best, and then all the others could be interchanged for the rest of the places. On my most recent rewatch I thought the third one was the best sequel, but that changes every time I watch them.

My review for VI will be up tomorrow, so keep an eye out for that!

Thanks for reading,

Ashley

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