Last Train to Christmas – The Butterfly Effect, but on a Train – Film Review

Last Train to Christmas (2021) - IMDb

Director: Julian Kemp

Writer: Julian Kemp

Starring: Michael Sheen, Thomas Law, Harry Giubileo, Nathalie Emmanuel, Cary Elwes

Rating: ★★★

Joining the almost endless list of Christmas films being released in 2021 is Last Train to Christmas. This marks Cary Elwes second Christmas film of the year, joining Netflix’s surprisingly decent A Castle for Christmas. This one isn’t as family friendly as most of the other Christmas films being released, with a more dark and sombre tone to it all.

Michael Sheen stars as Tony Towers, a nightclub owner in the 1980s, who has just gotten engaged to Sue (Nathalie Emmanuel) and has six new clubs opening in the new year. The couple are travelling on a train to spend Christmas with Tony’s family, they are joined by Tony’s brother, Roger (Cary Elwes), at one of the stops which causes rising tension in the group. Tony leaves the carriage, going to get champagne from the buffet, except when he goes to the next carriage, he’s taken roughly ten years into the future and realises that things don’t pan out. Each carriage is a different decade, and decisions made in one change the future in the rest of them. Tony realises that his life isn’t on the track he thought it was and starts messing with the past to try and align it with the best future possible, finding family secrets along the way.

The premise of Last Train to Christmas is really interesting, as long as you can ignore the fact that a lot of life-changing decisions were made on trains for Tony. All these pivotal moments make or break Tony and his brother. If he moves towards the front of the train, he moves forward in time, around a decade each carriage, and the same backwards when he travels to the back of the train. Little changes in conversations or ideas lead to massive changes in the next carriage. It really does have some suspenseful moments and will make you wonder what other changes he could do.

Michael Sheen is great in the film. He’s as charming as ever and is the main reason to watch it. Each carriage has its own look, representing the decade it is set in, and with each transition Sheen has a different outfit and hair style. They did a really great job with the set designs and costumes; they do look great. Nathalie Emmanuel is great in her limited role, taken out of Tony’s life quickly with changes in the past and Tony spends time trying to find her again.

The plot is contrived, so you do have to suspend belief that every massive moment in Tony’s life happened on a train, going to Nottingham. The biggest issue is the ending. Going slightly into spoilers, Tony goes right back to the 1940s, makes a massive change, and exits the train to get back on in the front carriage, skipping the whole of his life. It ends without the real pay-off. You don’t really know how his life pans out, and how is he going to explain his massive memory loss to his family. He seems happy, but it doesn’t feel well thought out.

Joining other Christmas films like A Christmas Carol and It’s a Wonderful Life, Last Train to Christmas is about a man reflecting on his life and what he could have done different and how the future will turn out on his current course. It’s a really interesting idea and Michael Sheen is excellent, it just falls flat at the end.

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Swan Song – Invasion of the Body Clones – Film Review

How to watch the new movie 'Swan Song' on Apple TV+, starring Mahershala  Ali - 9to5Mac

Director: Benjamin Cleary

Writer: Benjamin Cleary

Starring: Mahershala Ali, Naomie Harris, Awkwafina, Glenn Close, Adam Beach,

Rating: ★★★½

Swan Song is set in an almost utopian future where everything is streamlined and sleek. The cars are self-driving, everyone has high-end tech, that means their phone is essentially a part of them. And science has moved to a point where cloning is possible. A future that doesn’t feel too far removed from where we are now, and it’s refreshing for this to be shown in a more positive light.

Cameron Turner (Mahershala Ali) is struggling with a terminal illness that he is keeping hidden from his wife, Poppy (Naomie Harris). He doesn’t have long left to live, struggling with seizures, and passing out. To make sure that Poppy, their son and unborn child, aren’t left grieving Cameron has decided to take part in an experimental procedure, where he is cloned, and his memories are replicated into the clone version of himself. When he becomes too ill to continue normal life, the clone will take over his day-to-day life and on one will know any differently.

The film starts with Cameron and Poppy meeting on a train, their meet-cute revolving around eating the same bar of chocolate. Cameron thinks it’s his because he bought one, so when Poppy starts eating an identical bar, he gets territorial and starts eating the other end of it, both snapping pieces off. Once Poppy leaves, he releases that his bar was in his pocket and he was eating from Poppy’s. It’s a sweet and affectionate scene, that is immediately contrasted with a scene showing Cameron struggling with his illness. Writer and director Benjamin Cleary perfectly toys with your emotions, making you care about Cameron and Poppy before instantly snatching away their happy ending like it was the chocolate bar from the first scene.

It hits hard straight away. That downbeat and almost hopeless tone isn’t forgotten for the rest of the film. It’s a really slow-paced drama that while at points feels like it may take a genre change, doesn’t and stays true to its premise. This isn’t a horror where Poppy finds out that her husband has been replaced, it’s a drama that’s about someone dealing with how his family will continue once he’s gone. It’s feels fresh and original because it doesn’t fall into the expected plot trappings.

Mahershala Ali gives a really strong performance as both Cameron and his clone, who is called Jack to avoid confusion. He’s charming and instantly likable from the first scene and you want him and Poppy to have a happy ending from their first meeting. Equally good is Naomi Harris as Poppy, who is struggling with the loss of her twin brother. They both work really well together and are completely believable as a couple.

The biggest issue with the premise of Swan Song is the morals of Poppy not being told that she is living with a clone of her husband. It feels strange in the times we are living in that she doesn’t find out, because you know she wouldn’t be okay with it if she found out. It’s a little creepy and gets worse the more you think about it. The film skirts around it by having a scene, which is references later, that Poppy would happily have a clone of her mother as long as she couldn’t tell the difference, but that’s a flimsy excuse for not tackling her consent in the situation and everything that happens once the credits’ role. There are a few scenes later on in the film that really feel awkward, knowing she will never find out that she’s not with her actual husband.

Beyond the grey-area in the morals Swan Song is at times a really touching and moving film. It’s probably a little too long, and the pacing is quite slow, but it does connect on an emotional level and Mahershala Ali is incredible in it. If you have Apple TV and like a more slow-burn drama, then this is one for you. It’s engaging and has a lot of heart.

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8-Bit Christmas – Film Review

8-Bit Christmas (2021) - IMDb

Director: Michael Dowse

Writer: Kevin Jakubowski

Starring: Neil Patrick Harris, Winslow Fegley, June Diane Raphael, David Cross, Steve Zahn, Sophia Reid-Gantzert, Bellaluna Resnick

Rating: ★★★½

Kevin Jakubowski’s novel, 8-Bit Christmas, has been adapted in a film, with a script from Jakubowski himself and directed by Michael Dowse. It’s a nostalgia fuelled adventure about family, Christmas, and most important of all, Nintendo.

Neil Patrick Harris stars as Jake Doyle, who is telling his daughter, Annie (Sophia Reid-Gantzert), the story of how he got his Nintendo Entertainment System in the late 80s. Winslow Fegley then stars in the flashbacks as the younger Jake Doyle who tries through many schemes and plans to get his hands on the elusive console.

This film is pure family entertainment. It’s funny, heartfelt and an all-round good time. It’s not spectacular, but it works. There’s a lot of humour for people of all ages, and the whole family can have a good time with it. Some of the highlights are the story changing visually as Jake is telling his daughter. Throughout the whole thing you can hear Harris narrating the story, taking questions from his daughter as he’s telling the story. There are moments where things happen like safety goggles that suddenly appear once Annie asks if he was wearing them, and Jake responds, yes of course.

Video game fans will also enjoy the references to the early Nintendo years, with appearances of old-school classic games, cartridges that work once you’ve blown into them, and the infamous power glove. It’s a nostalgia feast for Christmas, that feels just right. The sets for the late 80s look great, especially the shopping mall that Jake visits at one point with his family.

Most surprisingly is the emotional weight the finale carries. You do get attached to the characters and it is moving in its last scene. The whole cast are great, and it really clicks. It makes it a step above a lot of the forgettable Christmas films that are released every year, because you do get invested in it.

8-Bit Christmas is unlikely to become part of anyone’s Christmas traditions. It’s a perfectly fine film, that does get surprisingly moving in its final moments. It’s an enjoyable family friendly film, with Neil Patrick Harris, and that’s never a bad thing.  

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My Top Five Musicals From 2021

This year has been a pretty great year for musicals, and for Lin-Manuel Miranda in particular. I’ve not seen as many musicals as I probably should have, but I’m working on watching some of the classics. I have thoroughly enjoyed this year’s releases with some of them being among my favourite films of the year.

5 – Dear Evan Hansen

Dear Evan Hansen (2021) - IMDb

I did enjoy Dear Evan Hansen, but at the same time I had a lot of issues with the narrative. Evan lies a lot and he’s possibly responsible for Connor’s death. I don’t think the film really deals with that enough and it bothered me while I was watching it. There is some good songs, but nothing that I’ve ever felt the need to go back to. I’ve heard that the stage show is better, and maybe one day I’ll go to see that.  

4 – Annette

Leos Carax's First English Feature Annette Out in Aug 2021

This time last year I didn’t know who Sparks were, and now there’s a documentary out about them and the musical they helped write. It’s a much darker and more ‘art-house’ approach to the music. Adam Driver is excellent, and ‘So may we Start’ is an exceptional opening song that’s been on my Spotify playlist since before I saw the film. I feel that the music outshines the lyrics, which are often repetitive. I especially enjoyed my mum’s extremely negative reaction as we walked out of the cinema – so much anger.  

3 – West Side Story

West Side Story (2021) - IMDb

I really liked the 1961 version of West Side Story, and I was cautiously optimistic about this retelling of that story. There are some things I really liked about it, most of the cast were excellent, there are some improvements on the original, and the visuals are simply stunning. The only reason I didn’t love this completely is because I think Ansel Elgort was miscast. I mean, he’s fine, but that’s just not good enough. Richard Beymer is a much better Tony. Still a great adaptation and if there was a stronger leading man it might even be the better version.

2 – In the Heights

2021-In the Heights-poster.jpg | Home Theater Forum

I loved this film so much that I went to see it twice in the cinema. It’s grand and sweeping and I’ve listened to the soundtrack a ton at home while writing. It’s great, energetic and just feels like summer. The first time I saw it, we were in an incredibly hot cinema with no air conditioning, I was stuck to my seat, which made the heatwave sequence even better. It’s a magical film and I’m sure it will be something that I return to time and time again.

1 – Tick, Tick… Boom!

tick, tick...BOOM! (2021) - IMDb

Lin-Manuel Miranda’s directorial debut in film is stunning. Andrew Garfield is absolutely brilliant in it and I can’t overstate how much I connected with this film. I knew next to nothing about Jonathan Larson before watching it, and I want to learn so much more about him. There’s an anxiety about time moving to quickly and not enough is being achieved and that’s something that I really struggle with at points. I’m 28, so I’ve still got a year and a bit until I turn 30, but I completely feel the pressure that Larson is presenting in the musical. It’s an absolutely stunning film and everyone should watch it. I’ve listened to the soundtrack on repeat while working, writing and just going about the house doing daily chores. It’s without a doubt my most listened to album of the year.

2021 has been an incredible year for musicals, what’s been your favourite of the year? Let me know in the comments. If it’s something I haven’t listed, maybe it’s something I should check out.

Thanks for reading and until next time,

Ashley

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The Hand of God – Film Review

The Hand of God (2021) - IMDb

Director: Paolo Sorrentino

Writer: Paolo Sorrentino

Starring: Filippo Scotti, Toni Servillo, Teresa Saponangelo, Marlon Joubert, Luisa Ranieri, Renato Carpentieri, Massimiliano Gallo, Betti Perrazzi

Rating: ★★★½

The Hand of God is Paolo Sorrentino’s most personal and autobiographical film to date. It’s a film that deals with family, growing up, life, cinema, and football. It’s a celebration of the joys and sorrows of life. The celebration of the mundane as well reflecting on life changing events. The Hand of God is joyful and often poignant, while at other times it feels detached, uncomfortable and a little dull.

In the 1980s the biggest question on everyone’s mind in Naples is whether Diego Maradona will be joining the local football team. Fabietto (Filippo Scotti) and his family are loud and full of character. They may have they’re negative moments, but overall, they love each other and have a lot of fun pranking and having family meals. When tragedy strikes Fabietto has to grow up fast and find out the harsh realities of life.

Sorrentino is incredibly reflective in The Hand of God. It’s a look at life and coming of age with all of the up and downs that comes with it. It was filmed and is set in his home town, and a lot of it is based on actual events that happened. The tragedy that Fabietto endures is the senseless loss of his parents that comes out of nowhere and changes his life completely. Life wasn’t perfect before it happens for him, but afterwards there’s a sense of confusion and lack of direction in where life will take him.

The death of Fabietto’s parents happens at the exact half-way point through the film. The build up to it, is full of happy family moments, lots of laughter and love. There is still moments of struggle, including an argument that ends with his mother, Maria (Teresa Saponangelo), screaming uncontrollably, that is genuinely devastating. There is a cruel sense of humour that happens here as well, because it’s moments after this that Maradona is revealed to have joined Napoli. Football is the thing that brings them all together and brings such joy to everyone.

When the death scene happens, there’s no warning. It actually feels sweet, until you realise what’s actually happening. They die from a carbon monoxide leak and fall asleep together while whistling. After this the second half of the film is a lot more downbeat and tragic. Fabietto is lost without his parents, and it does get emotional at points. It also gets incredibly uncomfortable at points, especially during an encounter between Fabietto and one of their neighbours.

In both the first and second half there are moments where it feels like it’s just meandering about. It’s a film about life, reflecting on the small and big moments, so there are points where it feels like nothing is really happening. You’re observing it all, like you’re looking through an old photo album, and it can leave you a little detached at points. When it connects with you, it really works, and when it doesn’t the film starts to feel dull. Thankfully Filippo Scotti is excellent and can always drag your attention back when it starts to wonder.

The Hand of God is an incredibly personal and reflective film. It feels very poignant at points while tackling the themes of loss and growing up, while also celebrating the small things like watching football with your family and meals. Which pretty much sums up life in general.

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